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It is to be followed by a book on "Synthetic Counterpoint," of which Goodrich says, "It is almost totally at variance with the standard books in counterpoint." In his "Musical Analysis" he quoted freely from American composers, and analyzed many important native works.

But in studying it on the side of the emotions, in studying the laws of counterpoint and of musical form, which are governed by the effect upon the ear and the heart, we find intricacy and difficulties, increased beyond our power of understanding.

By examining a few pieces of good counterpoint you will readily see just what this means. The composer has not tried to get merely a correct chord succession, such as we find in a choral. Let us play a choral; any good one of a German master will do.

At the age of fifteen he went to Cincinnati, studying at the College of Music for three years. In 1883 he went to Germany to study counterpoint and composition with Vierling and Urban in Berlin. The latter discouraged him when he attempted to imbue a suite with a negro plantation spirit. Arnold now went upon a tramping tour in Hungary, Bulgaria, and Turkey.

But again we have vocations which are imperfect; we have men whose minds are bound up, not so much in any art, as in the general ARS ARTIUM and common base of all creative work; who will now dip into painting, and now study counterpoint, and anon will be inditing a sonnet: all these with equal interest, all often with genuine knowledge.

Here you may assist at interminable disputes as to the relative merits of Tasso and Ariosto, or listen to a learned dissertation on the verse engraved on a carnelian stone; but as to the questions now agitating the world, they are held of less account than a problem in counterpoint or the construction of a doubtful line in Ovid.

I cannot refrain from regretting these trios composed and sung in moments of pure joy, and which I left at Wootton, with all my music. Mademoiselle Davenport has perhaps curled her hair with them; but they are worthy of being preserved, and are, for the most part, of very good counterpoint.

What to them was an end I mean all the tricks of counterpoint was to him a means to expression: more expressive music was never dreamed of in a musician's imagination, and at the same time he accomplished with ease part-writing that the most skilful contrapuntists could only perform by labouring long at expressionless, stale old themes first contrived before the Flood to "work well," as the phrase goes.

The very influence of German music was needed by the French rather than a bizarre invention of national traits. The broader art of a Saint-Saëns here shines in contrast with the brilliant conceits of his younger compatriots, though it cannot be denied that the latter are grounded in classic counterpoint.

The art of interweaving parts and that science of sound known as counterpoint were placed by this school of musical scholars and workers on a solid basis, which enabled the great composers who came after them to build their beautiful tone fabrics in forms of imperishable beauty and symmetry.