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Tu canis umbrosi subter pineta Galesi Thyrsin et attritis Daphnin arundinibus, Utque decera possint corrumpere mala puellas, Missus et impressis haedus ab uberibus. Felix qui viles pomis mercaris amores! Huic licet ingratae Tityrus ipse canat. Felix intactum Corydon qui tentat Alexin Agricolae domini carpere delicias. Quamvis ille sua lassus requiescat avena, Laudatur faciles inter Hamadryadas.

Accisis crinibus, nudatam, coram propinquis, expellit domo maritus, ac per omnem vicum verbere agit: publicatae enim pudicitiae nulla venia: non forma, non aetate, non opibus maritum invenerit. Neme enim illic vitia ridet: nec corrumpere et corrumpi saeculum vocatur. Melius quidem adhuc eae civitates, in quibus tantum virgines nubunt, et cum spe votoque uxoris semel transigitur.

The exaggeration of the sentiment is more marked than in any of his other writings; thus the fine outburst, Nemo illic vitia ridet, nec corrumpere et corrumpi seculum vocatur, concludes a passage in which he gravely suggests that the invention of writing is fatal to moral innocence; and though he is candid enough to note the qualities of laziness and drunkenness which the Germans shared with other half-barbarous races, he glosses over the other quality common to savages, want of feeling, with the sounding and grandiose commonplace, expressed in a phrase of characteristic force and brevity, feminis lugere honestum est, viris meminisse.