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There are many sets out of which we may be able to clear the money, and then we shall make something to clear the copyright. I am sure this may be done, and that the bargain will prove a good one in the long run. Dined at home with my family, whom, as they disperse to-morrow, I have dedicated the evening to.

He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning Chronicle."

Love me if I live, Love me if I die. What to me is life or death, So that thou, that thou be near. What to me is life or death, So that thou be near, So that thou be near. Copyright, 1885, by Arthur P. Schmidt & Co. There is much contrast between the lightness of his book, "Songs for the Children," and his ponderous setting of Kipling's "Recessional."

It challenges the constructive imagination of the reader to search the story for the evidence that will lead to a logical conclusion. Copyright, 1886, by Charles Scribner's Sons.

This is due to the fact that it contains a larger proportion of copyright works. Where I do not specify the edition of a book, the original copyright edition is meant: POETS. £ s. d.

Our heroine was hard at work at this time upon the last of her Irish novels, The O'Briens and the O'Flaherties, which was published early in 1827, and for the copyright of which Colburn paid her L1350.

He said, this I state on the authority of one of his clerical brethren who is now a bishop, he said that he had never thought it right to read one of his grandfather's books. Suppose, Sir, that the law had been what my honourable and learned friend would make it. Suppose that the copyright of Richardson's novels had descended, as might well have been the case, to this gentleman.

He had made such provision for her himself as his means permitted. His books had been selling steadily for the past six years, his publishers had paid him a handsome sum in royalties, and a thousand guineas for the copyright of a new work.

That this should be so in England, as regards English authors, appears to be so much a matter of course that the copyright of an author seems to be as naturally his own as a gentleman's deposit at his bank, or his little investment in the three per cents.

In addition to this, I place at the disposal of the purchasers the non-German theatres abroad, such as Petersburg, Stockholm, Copenhagen, Amsterdam, etc., with the exception, however, of London and Paris. All this and everything accruing from the copyright I should cede to the Messrs.