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The first establishment of the whites was in 1511 when, according to the orders of Don Diego Columbus, together with the conquistador and poblador Velasquez, he landed at Puerto de Palmas, near Cape Maysi, then called Alfa y Omega, and subdued the cacique Hatuey who, an emigrant and fugitive from Hayti, had withdrawn to the eastern part of the island of Cuba, and had become the chief of a confederation of petty native princes.
This Conquistador, a morose and violent man, was marching upon the west of the island, where his reception would have been of the warmest, when he was met at the site of the present Ermita de San Antonio by an old fisherman, who advised him of his danger.
We secured our prisoners; conveyed our own wounded amounting to nine in all on board the schooner; and then, having put Pierrepoint and a prize-crew on board the barque, both vessels made sail in company for Sierra Leone, where we arrived safely, after a passage of exactly a week, and where we were rejoined by Gowland and the prize-crew of the Conquistador, which vessel had arrived six days before us.
It is appropriate that these figures facing the water-front should represent, as they do, the Conquistador and the Pirate Deck-hand, who once were masters and terrors of the main. The Conquistador stands in the central canopied niche, the strong line from his helmet-point down his sword-hilt making a grimly decorative axis for the whole. The Deck-hand is repeated in the niches on each side.
In finishing this portrait of the "conquistador," we shall quote the upright and veracious Bernal Diaz, with whose sentiments we fully agree. "He preferred his name of Cortès to all the titles by which he might be addressed, and he had good reasons for it, for the name of Cortès is as famous in our days as that of Cesar amongst the Romans, or Hannibal amongst the Carthaginians."
Not so with the skipper of the barque. It was, of course, impossible for us to know whether he had observed the capture of the Conquistador we hoped and believed not; but, however that may have been, it was certain that he had been keeping his eyes sufficiently open to promptly become aware of the fact that the schooner had altered her course and was standing after him under a very heavy press of sail, and if our surmises as to his character were anywhere near the truth, that circumstance alone would be quite sufficient to fully arouse his easily-awakened apprehensions and to urge him to keep us at arm's-length at all risks.
We had of course taken the precaution to get down a couple of reefs in our topsail, and the same in the foresail, as well as to haul down the squaresail and get the bonnet off the jib before leaving the Conquistador, but it was not until we had hauled our wind and put the schooner on a taut bowline, that we were able to realise how hard it was actually blowing.
But it is, after all, the conqueror of the Incas, the indomitable, who spared neither his men nor his enemy until the rich cities of the Southern Empire had been pillaged of their gold and destroyed, who is here portrayed. After achieving wealth and honors Pizzaro was slain by the followers of a rival conquistador.
Grown old, disgusted with life, and betrayed by fortune, the "conquistador" had no longer anything to expect from government. He had not to wait long before receiving proof of this; one day he pressed through the crowd which surrounded the emperor's coach, and mounted upon the step of the door. Charles V. pretended not to recognize him, and asked who this man was.
Esplanade, straight northern wall, broken by Court of Four Seasons, Court of the Universe, and Court of the Ages. Northern facades of all four buildings, ornate doors in duplicate of Spanish plateresque doorways. Main doorways, rich detail. Statues in niches, by Allen Newman, of New York. Center, "Conquistador," sixteenth century Spanish adventurer. Humorous touch in bowlegs.
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