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Of a very different type is the piece which comes next the Amphrituo in acknowledged excellence, the Captivi. The development of the plot has won high praise from all critics, and justifies the boast of the epilogue, Huiusmodi paucas poetae reperiunt comoedias. But the praise which the author gives to his own piece
A proof of this is preserved in the epilogue of the -Captivi- of Plautus: -Spectators, ad pudicos mores facta haec fabulast. Neque in hoc subigitationes sunt neque ulla amatio Nec pueri suppositio nec argenti circumductio, Neque ubi amans adulescens scortum liberet clam suum patrem. Huius modi paucas poetae reperiunt comoedias, Ubi boni meliores fiant.
A proof of this is preserved in the epilogue of the -Captivi- of Plautus: -Spectators, ad pudicos mores facta haec fabulast. Neque in hoc subigitationes sunt neque ulla amatio Nec pueri suppositio nec argenti circumductio, Neque ubi amans adulescens scortum liberet clam suum patrem. Huius modi paucas poetae reperiunt comoedias, Ubi boni meliores fiant.
Volcatius gives this account of his death: Sed ut Afer sei populo dedit comoedias, Iter hic in Asiam fecit. Navem cum semel Conscendit, visus nunquam est. Sic vita vacat. When Afer had produced six plays for the entertainment of the people, He embarked for Asia; but from the time he went on board ship He was never seen again. Thus he ended his life.
Of those plays which border on the sentimental the best is the Captivi, which the poet himself recommends to the audience on the score of its good moral lesson, adding with truth "Huiusmodi paucas poetae reperiunt comoedias Ubi boni meliores fiant." We are told that Plautus took the greatest pleasure in his Pseudolus, which was also the work of his old age.
On one occasion he writes, "-Quintiforis Clodii foria ac poemata ejus gargaridians dices; O fortuna, O fors fortuna-!" And elsewhere, "-Cum Quintipor Clodius tot comoedias sine ulla fecerit Musa, ego unum libellum non 'edolem' ut ait Ennius?" This not otherwise known Clodius must have been in all probability a wretched imitator of Terence, as those words sarcastically laid at his door "O fortuna, O fors fortuna!" are found occurring in a Terentian comedy.
On one occasion he writes, "-Quintiforis Clodii foria ac poemata ejus gargaridians dices; O fortuna, O fors fortuna-!" And elsewhere, "-Cum Quintipor Clodius tot comoedias sine ulla fecerit Musa, ego unum libellum non 'edolem' ut ait Ennius?" This not otherwise known Clodius must have been in all probability a wretched imitator of Terence, as those words sarcastically laid at his door "O fortuna, O fors fortuna!" are found occurring in a Terentian comedy.
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