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All the sketches he had made for the "Last Enemy," together with his easel and his disused palette, his colour-box, tubes, brushes and all the other materials and tools for his work, he caused to be transferred to the new studio. Besides this he had the stretcher made, best twill canvas on a frame four feet long, two and a half feet high. This was for the large sketch of the picture.
No words, however, can convey a full idea of the beauty and grandeur of the spectacle. "I was thinking for a moment that I should like to get out my drawing-book and colour-box," said Emma Morley to her sister; "but I am sure it would be impossible to do anything like justice to such a scene."
With regard to the personal endowments of the artist, he maintained that "a lofty style, grave and decorous, was essential to great work. Few artists understand this, and endeavour to appropriate these qualities. Consequently we find many members of the confraternity who are only artists in name. The world encourages this confusion of ideas, since few are capable of distinguishing between a fellow who has nothing but his colour-box and brushes to make him a painter, and the really gifted natures who appear only at wide intervals." He illustrates the position that noble qualities in the artist are indispensable to nobility in the work of art, by a digression on religious painting and sculpture. "In order to represent in some degree the adored image of our Lord, it is not enough that a master should be great and able. I maintain that he must also be a man of good conduct and morals, if possible a saint, in order that the Holy Ghost may rain down inspiration on his understanding. Ecclesiastical and secular princes ought, therefore, to permit only the most illustrious among the artists of their realm to paint the benign sweetness of our Saviour, the purity of our Lady, and the virtues of the saints. It often happens that ill-executed images distract the minds of worshippers and ruin their devotion, unless it be firm and fervent. Those, on the contrary, which are executed in the high style I have described, excite the soul to contemplation and to tears, even among the least devout, by inspiring reverence and fear through the majesty of their aspect." This doctrine is indubitably sound. To our minds, nevertheless, it rings a little hollow on the lips of the great master who modelled the Christ of the Minerva and painted the Christ and Madonna of the Last Judgment. Yet we must remember that, at the exact period when these dialogues took place, Buonarroti, under the influence of his friendship with Vittoria Colonna, was devoting his best energies to the devout expression of the Passion of our Lord. It is deeply to be regretted that, out of the numerous designs which remain to us from this endeavour, all of them breathing the purest piety, no monumental work except the Piet
Archie carried his box of dry plates in his left hand, and his camera and stand over his right shoulder; Eddie bore a colour-box and sketching-book; Junkie wielded a small fishing-rod, and had a fishing-basket on his back; and Flo was encircled with daisy chains and crowned with laurel and heather, besides which, each of the boys had a small bag of provisions slung on his shoulder.
And then already he sees a vision of the warm little panelled room, and himself getting out his colour-box and sitting down to paint by lamp-light for any light does for his kind of colouring while his mother sits opposite and Lionel watches the picture growing under his hand. What shall he draw?
She had to employ the most gorgeous colours which her colour-box could supply, and even then could scarcely give sufficient brightness to the landscape. While she was sketching, the little boys ran along the bank, where, moored to the shore, they found a boat, and very naturally got into it. Their mother and aunt did not observe them.
He was fond of his little sister Clary, in rather a careless way, and would suffer her companionship, juvenile as she was at that time, with perfect good nature, allowing her to spoil his drawing paper with her untutored efforts, and even to explore the sacred mysteries of his colour-box.
Alice also intended to be very diligent with her books, and she could learn geography in a practical way few young ladies are able to enjoy. And, lastly, she had a sketch-book and a colour-box, by means of which she hoped to make numberless drawings of the scenery and people she was to visit. Altogether, she was not likely to find the time hang heavy on her hands.
Then he had all sorts of drawing-materials papers, and pencils, and sketch-books, and a colour-box, and mathematical instruments, and even a chronometer. He had a writing-case, and a tool-box, and a flute and violin, and some music-books. I asked him if he could use the quadrant.
At the same moment part of the ice overhead gave way, and he beheld the artist descending. He was stopped with a sudden jerk, as the rope tightened, and remained suspended in the air, while his coat and colour-box accompanied icicles and snow-blocks into the abyss below. A second later and the struggling artist's head appeared to fall off, but it was only his hat.
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