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The industry, however, remained in Dinant and Huy, and coppersmiths and merchants met in these places, as clothmakers and merchants met in the Flemish towns. So that, in the early Middle Ages, the contrast between agricultural and industrial Belgium was already apparent.
Clothmakers discharged their workers, farmers put away their servants. "They say the King asketh so much that they be not able to do as they have done before this time." Such a peasant insurrection as was raging in Germany was only prevented by the unconditional withdrawal of the royal demand. The check was too rough a one not to rouse both Wolsey and the king.
Many of his finest portraits those of Hendrickje Stoffels, of his son, of himself in his old age, of the Burgomeister Six, above all, his masterpiece, "The Syndics of the Guild of Clothmakers," now in Amsterdam; many of his finest etchings, the little landscapes, the famous "Hundred Guilder Print," "Christ Healing the Sick," belong to this later period.
But, already in the eleventh century, the "porters" and "emporia" proved a centre of attraction, not only to discontented serfs and would-be merchants, but to skilled artisans, mostly clothmakers in Flanders and metal-workers on the Meuse. From the early days of the Menapii the inhabitants of Northern Belgium had a reputation for working the wool of their sheep.
There were the Goldsmiths, the Painters, the Masons, the Broderers, the Sculptors, the Joiners, the Carpenters, the Sailors, the Fishermen, the Butchers, the Leatherers, the Clothmakers, the Bakers, the Tailors, the Cordwainers indeed, workmen of all kinds, and many craftsmen and dealers who work for their livelihood.
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