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The wheels in the clerestory windows on the south side of the nave all contain Early English glass, except the third from the west. There is also some Early English glass in their lower lights. The transepts contain less of their original glass than any other part of the minster.

In the clerestory the walls are decorated with fine murals by the brush of the Argentine artist, Colivadeno, works which show that Argentine art has the beauty, freshness and vigor of the nation from which it springs. In the center of the hall is an exquisite bit of Sculpture. On left and right the foyer opens into a fine reception hall and a graceful refreshment room.

It is about 263 feet long inside, and 48 feet wide, with the aisle 104 feet wide in all. Its height is about 99½ feet. Each bay is divided into two main divisions of almost equal height; the upper half, consisting of the triforium and clerestory, being only about 2 feet longer than the lower, which consists of the main arches.

An apartment above is known as the "Dog Whipper's" room, a relic of those days when an official was appointed whose duty it was to keep stray dogs out of the sacred building. On the exterior of the clerestory wall immediately above the porch is a projection which marks the Minstrels' Gallery, and is lighted by a window.

The main street has a raised causeway and several old houses. The church, supposed to have been built by Bishop Beckington, whose arms appear on the fabric, is a large and stately building with a lofty Perp. W. tower. It has N. and S. aisles, but no clerestory. The S. arcade is Dec. A fine gilded Perp. screen stretches right across the church. The churchyard contains the base of a cross.

In the north transept the massive buttresses with bevelled angles, of which those at the angles are turreted, with spiral cappings, the remarkable windows, tall without transoms, and rising nearly the whole height of the building, show to great advantage. The clerestory windows, like those in the outer wall of the triforium in the nave of Westminster, are triangular on the exterior.

The triforium itself remained as it had been before 1186; but the clerestory was dressed again, so that it obtained quite a new character. It was re-faced with the fine-grained stone, and the slight shafts which supported the clerestory arcades were provided with Purbeck capitals and bases. This arcading itself was also changed from its earlier type.

'Men allow themselves to be made ridiculous by their own feelings in an inconceivable way. 'True, I am a fool; but forgive me, he rejoined, observing her gaze, which wandered critically from roof to clerestory, and then to the pillars, without once lighting on him. 'Don't mind saying Yes.

The lower windows of the nave are of good flamboyant style, with a sort of Romanesque triforium, and a simple round-headed window in each bay of the clerestory, which is the more poor in treatment and effect in that it holds no notable glass. There are none of those distinctly northern accessories, the great rose windows, and the whole reeks of distinctly a milder atmosphere.

Then in 1187 the Cathedral was burnt again, and Bishop Seffrid vaulted it for the first time till then only the aisles had been vaulted building great buttresses to support this and re-erecting the inner arcade of the clerestory. Apparently the apse and ambulatory which till then had closed the great church, on the east had been destroyed in the fire.