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Even if audiovisual and video techniques are more and more present in the on-line press, the most important thing is still its content, as Jean-Pierre Cloutier, the editor of the Chroniques de Cybérie, reminded us in his e-mail of June 8, 1998: "For the Chroniques de Cybérie, we could launch and maintain a formula because of the relatively low entry costs in this medium.

The celebrated Ribeiro Sanchez, a pupil of Boerhaave, observes in his "Traité des maladies Vénériennes chroniques," that these diseases particularly dispose those subject to them to superstitious terrors. Impotency may, however, equally proceed from moral as from physical causes. In this case it consists in the total privation of the sensibility peculiar to the reproductive organs.

His Chroniques, devoid of any profundity of insight, any true grasp of the movements of the age, have rarely been paralleled in the brilliance and animation of their descriptions, the vigour of their character-drawing, the flowing picturesqueness of their style.

The duke was the author of the following works: (i)Mémoires, from the assassination of Henri III. to the battle of Arques (1589-1593) published at Paris by Boneau, and reprinted by Buchon in his Choix de chroniques and by Petitot in his Mémoires (1st series, vol. xliv.); Les Harangues, prononcés en assemblée de MM. les princes protestants d'Allemagne, par Monseigneur le duc d' Angoulême ; a translation of a Spanish work by Diego de Torres. To him has also been ascribed the work, La générale et fidèle Rélation de tout ce qui s'est passé en l'isle de , envoyée par le roi

The brief sentences of mediæval annalists bring them less near to us than the chroniques scandaleuses of good-for-nothing scoundrels, whose vulgar adventures might be revived at the present hour with scarce a change of setting. Such is the force of intimité in literature. And yet Baffo and Casanova are as much of the past as Doria and Pisani.

When, however, death has transfigured age and sorrow, the likeness of Agnes reappears in the Assumption, and Coronation, and, the crowning glory, the Enthronement of the Virgin. Cf. Grandes Chroniques de France, fol. 292, Bib. Nat.

The computer press on-line includes the monthly Wired, created in 1992 in California, a cult magazine which was the first to be dedicated to cyberculture and now wants to be the magazine of the future at the avant-garde of the 21st century. ZDNet is the site of the main publisher of computer magazines in the world. Some magazines are "only" electronic, like the Chroniques de Cybérie.

Even if the Internet is a huge information tank, the press will always need journalists, as explained by Jean-Pierre Cloutier, editor of the Chroniques de Cybérie, in an article of WebdoMag of July 1998: "Some people predicted the short-term disappearance of the traditional media and their creators.

How easy it is to "hint and chuckle and grin" with the "chroniques scandaleuses!" easier still to be incontinent of one's moral indignation. The truth is that this back-stair gossip misses, on the whole, that just proportion necessary if you would not only see but also perceive.

Never since the days of Charlemagne had the French Monarchy been so powerful as when the Valois came to the throne: in less than a generation Crecy and Poitiers had made the English name a terror in France, and a French king, John the Good, was led captive to England. In 1346 Paris saw her faubourgs wasted, the palace of St. Germain and the fortress of Montjoie St. Denis spoiled and burnt, and the English camp fires nightly glowing. Once again, as in the dark Norman times, she rose and determined to save herself. Étienne Marcel, the leader of the movement, whose statue now stands near the site of the Maison aux Piliers was a rich merchant prince of old family, a member of the great drapers' guild, and elected Provost of the Marchands d'Eau in 1355. He it was who bought for 2400 florins of gold the Maison des Dauphins, better known as the Maison aux Piliers or Hôtel de Ville, on the Place de Grève and transferred thither the seat of the civic administration from the old Parloir aux Bourgeois, enclosed in the south wall of Paris. The Dauphin, who had assumed the title of Lieutenant-General, convoked the States-General at Paris, but he was forced by Marcel and his party to grant some urgent reforms, and a Committee of National Defence was organised by the trade guilds and the provost, who became virtually dictator of Paris. Marcel's rule was however stained by the butchery of the Marshal of Champagne and the Duke of Normandy before the very eyes of the Dauphin in the palace of the Cité, who, horrified, fled to Compiègne to rally the nobles. During the ensuing anarchy the poor, dumb, starving serfs of France, in their hopeless misery and despair, rose in insurrection and swept like a flame over the land. Froissart, who writes from the distorted stories told him by the seigneurs, has woefully exaggerated the atrocities of the Jacquerie." There was much arson and pillage, but barely thirty of the nobles are known to have perished. Of the merciless vengeance taken by the seigneurs there is ample confirmation: the wretched peasants were easily out-manoeuvred and killed like rats by the mail-clad nobles and their men-at-arms. Meanwhile the Dauphin was marching on Paris: Marcel seized the Louvre and set 3000 workmen to fortify the city. In less than a year the greater part of the northern walls, with gates, bastilles and fosses, was completed the greatest feat, says Froissart, the provost ever achieved. A citizen army was raised, whose hoods of red and blue, the colours of Paris, distinguished them from the royal sympathisers. Marcel turned for support to the Jacques, and on their suppression essayed to win over Charles of Navarre. On 30th November 1357, Charles stood on the royal stage on the walls of the abbey of St. Germain des Prés, whence the kings of France were wont to witness the judicial combats in the Prés aux Clercs, and addressed an assembly of 10,000 citizens. Moult longuement he sermonised, says the Grandes Chroniques, so that dinner was over in Paris before he finished. After yet another harangue at the Maison aux Piliers on 15th June 1358, he was acclaimed by people with "Navarre! Navarre!" and elected the Captain of Paris. An obscure period of plot and counterplot followed which culminated in the ruin of Marcel and his followers. Froissart accuses the provost of a treacherous intent to open the gates of St. Honoré and of St. Antoine to Navarre's English mercenaries at midnight on 31st July, and gives a dramatic story of the discovery of the plot and slaying of the provost by Jean Maillart, his friend and associate. We supplement his version from the Chronicle of St. Denis: on the last day of July, Marcel and his suite repaired to the bastille of St. Denis and ordered the guards to surrender the keys to Charles of Navarre's treasurer. Maillart, who had been won over by the Dauphin, had preceded him. The guard refused to hand over the keys and an angry altercation ensued between the former friends. Maillart mounted horse, seized a royal banner, sped to the Halles and to the cry of "Montjoie St. Denis!" called the royal partizans to arms: a similar appeal was made by Pepin des Essards. Meanwhile Marcel had reached the bastille of St. Antoine, where he was met by Maillart and the royal partizans. "Stephen, Stephen!" cried the latter, "what dost thou here at this hour?" "I am here," answered the provost, "to guard the city whose governor I am." "Par Dieu," retorted Maillart, "thou art here for no good," and turning to his followers, said, "Behold the keys which he holds to the destruction of the city." Each gave the other the lie. "Good people," protested Marcel, "why would you do me ill? All I wrought was for your good as well as mine." Maillart for answer smote at him, crying, "Traitor,