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Hastening her footsteps after the horror of that encounter, she went by Ludgate Hill to the great cathedral, keeping carefully to the middle of the street, and glancing at the walls and shuttered casements on either side of her, recalling that appalling story which the Italian choir-mistress at the Ursulines had told her of the great plague in Milan how one morning the walls and doors of many houses in the city had been found smeared with some foul substance, in broad streaks of white and yellow, which was believed to be a poisonous compost carrying contagion to every creature who touched or went within the influence of its mephitic odour; how this thing had happened not once, but many times; until the Milanese believed that Satan himself was the prime mover in this horror, and that there were a company of wretches who had sold themselves to the devil, and were his servants and agents, spreading disease and death through the city.

On receipt of the royal mandate, she had summoned Chêng Chêng-ch'ang, the choir-mistress, and informed her that Princess Miao Shan, owing to a disagreement with her father, would shortly arrive at the temple. She requested her to receive the visitor courteously, but at the same time to do all she could to dissuade her from adopting the life of a nun.

Seeing all these gods arrive to help the novice, the Superior, I Yu, held consultation with the choir-mistress, saying: "We assigned to the Princess the burdensome work of the kitchen because she refused to return to the world; but since she has entered on her duties the gods of the eight caves of Heaven have come to offer her fruit, Ch'ieh Lan sweeps the kitchen, the dragon has dug a well, the God of the Hearth and the tiger bring her fuel, birds collect vegetables for her, the nunnery bell every evening at dusk booms of itself, as if struck by some mysterious hand.