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My Pelageya will cook for you, and there is a guitar there...." Voskresensk and Zvenigorod played an important part in Chekhov's life as a writer; a whole series of his tales is founded on his experiences there, besides which it was his first introduction to the society of literary and artistic people.

And a few sentences farther in the same paragraph, he adds, "Chekhov's plays are a thousand times more interesting to see on the stage than they are to read." Any one who believes Mr. Baring's statement, and starts to read Chekhov's dramas with the faith that they are as interesting as "Anna Karenina," will be sadly disappointed.

I wrote for you only, and so have not been afraid of being too subjective, and have not been afraid of there being more of Chekhov's feelings and thoughts than of Siberia in them. If you find some lines interesting and worth printing, give them a profitable publicity, signing them with my name and printing them in separate chapters, a tablespoonful once an hour.

He laughed, and said that he did not think counter-revolution in the least likely unless brought in by invasion, which he did not think politically possible. February 21st. I saw Chekhov's "Uncle Vanya" acted by the cast of the Art Theatre in the First Studio. This is a little theatre holding just over 200 people. It was of course full.

This state of affairs makes it necessary, in introducing a contemporary Russian writer to the English public, to give at least a few indications of his place in the general picture of modern Russian Literature. The date of Chekhov's death may be taken to mark the end of a long and glorious period of literary achievement.

Chekhov's father started life as a slave, but the son of this slave was even more sensitive to the Arts, more innately civilized and in love with the things of the mind than the son of the slaveowner. Chekhov's father, Pavel Yegorovitch, had a passion for music and singing; while he was still a serf boy he learned to read music at sight and to play the violin.

Chekhov's position in the main line of Russian literature and his likeness to Turgenev are both evident when we study his analysis of the Russian temperament. His verdict is exactly the same as that given by Turgenev and Sienkiewicz slave improductivite. A majority of his chief characters are Rudins. They suffer from internal injuries, caused by a diseased will.

In making letters, he always painted L yellow, M red, and A black. He draws a picture of a house with a soldier standing in front of it. The father rebukes him for bad perspective, and tells him that the soldier in his picture is taller than the house. But the boy replies, "If you drew the soldier smaller, you wouldn't be able to see his eyes." One of Chekhov's favourite pastimes was gardening.

Chekhov was in constant anxiety about the old man's health, as he was very fond of cakes and pastry, and Chekhov's mother used to regale him on them to such an extent that Anton was constantly having to give him medicine. Afterwards Suvorin, the editor of Novoye Vremya, came to stay.

Chekhov's irony places before us wasted lives, hopelessness, exaggerated interest in personalities, vain strugglings after some better outlet for the expression of selves not worth expressing. That play, acted to-day, seemed as remote as a play of the old regime in France would have seemed five years ago. A gulf seemed to have passed.