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Moreover, remember that you owe a debt." And he handed him an envelope thick with the bank-notes he had counted out. The tears were in Victor de Vernisset's eyes; he kissed Madame de la Chanterie's hand respectfully, and went away, after shaking hands with Monsieur Alain and Godefroid.

During the short time that Madame de la Chanterie's arm rested upon his as they walked to the carriage, Godefroid could not escape the glamour of the words: "Your account is for sixteen hundred thousand francs!" words said by Louis Mongenod to the woman whose life was spent in the depths of the cloisters of Notre-Dame.

Moreover, from day to day Madame de la Chanterie, with whom he always remained for an hour after the second breakfast, allowed him to discover the treasures that were in her; he knew then that he never could have imagined a loving-kindness so broad and so complete. A woman of Madame de la Chanterie's apparent age no longer has the pettiness of younger women.

Madame de la Chanterie's fund, founded to restore poor households to their religious and legal status, hunts up such couples, and with all the more success because it helps them in their poverty before attacking their unlawful union. As soon as Madame Hulot had recovered, she returned to her occupations.

Giving himself up to this desire, he related to her all the mistakes of his life, and much that he could not tell at Mongenod's, where his confidences had been confined to his actual situation. "Poor child!" That exclamation, falling now and then from Madame de la Chanterie's lips as he went on, dropped like balm upon the heart of the sufferer.

Godefroid turned over the book and read upon its back in gilt letters, IMITATION OF JESUS CHRIST. The simplicity of this old woman, her youthful candor, her certainty of doing a good deed, confounded the ex-dandy. Madame de la Chanterie's face wore a rapturous expression, and her attitude was that of a woman who was offering a hundred thousand francs to a merchant on the verge of bankruptcy.

But now let us concern ourselves exclusively with Madame de la Chanterie's daughter," said the old man, resuming his narrative. "At eighteen years of age, the period of her marriage, Mademoiselle de la Chanterie was a young girl of delicate complexion, brown in tone with a brilliant color, graceful in shape, and very pretty.

The furniture consisted of six chairs with oval backs covered with worsted-work, done probably by Madame de la Chanterie's own hand, two buffets and a table, all of Mahogany, on which Manon did not lay a cloth for breakfast. "We keep the fasts," said Monsieur Alain.

Therefore when Madame de la Chanterie's lodger had lived in that old and silent house for some months after the worthy Alain's last confidence, which gave him the deepest respect for the religious lives of those among whom his was cast, he experienced that well-being of the soul which comes of a regulated existence, gentle customs, and harmony of nature in those who surround us.

"He received from Amedee du Vissard a miniature of Madame des Tours-Minieres, the only portrait of her that exists; therefore, the abbe became almost sacred in Madame de la Chanterie's eyes when she re-entered social existence." "When did that happen?" asked Godefroid. "Why, at the restoration of Louis XVIII., in 1814.