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When the progress of affairs required that he should go to the studio at le Gros-Caillou to mould the clay and set up the life-size model, Steinbock found one day that the Prince's clock required his presence in the workshop of Florent and Chanor, where the figures were being finished; or, again, the light was gray and dull; to-day he had business to do, to-morrow they had a family dinner, to say nothing of indispositions of mind and body, and the days when he stayed at home to toy with his adored wife.

That day, Mademoiselle Fischer made some inquiries, at the houses to which she carried her work home, as to the business of a sculptor. By dint of many questions she ended by hearing of the studio kept by Florent and Chanor, a house that made a special business of casting and finishing decorative bronzes and handsome silver plate.

"And what did Wenceslas think of her?" asked poor Hortense, trying to keep calm. "He said nothing about her to me." "I will only say one thing," said Stidmann, "and that is, that I think her a very dangerous woman." Hortense turned as pale as a woman after childbirth. "So it was at at Madame Marneffe's that you dined and not not with Chanor?" said she, "yesterday and Wenceslas and he "

From ten till half-past, a suspicion crossed her mind; she sat wondering: "Is he really gone to dinner, as he told me, with Chanor and Florent? He put on his best cravat and his handsomest pin when he dressed. He took as long over his toilet as a woman when she wants to make the best of herself. I am crazy! He loves me! And here he is!" But instead of stopping, the cab she heard went past.

When the progress of affairs required that he should go to the studio at le Gros-Caillou to mould the clay and set up the life-size model, Steinbock found one day that the Prince's clock required his presence in the workshop of Florent and Chanor, where the figures were being finished; or, again, the light was gray and dull; to-day he had business to do, to-morrow they had a family dinner, to say nothing of indispositions of mind and body, and the days when he stayed at home to toy with his adored wife.

He wore a neat pair of trousers, a soft shade of some dark color, a silk waistcoat of superlative elegance and the very newest cut, a shirt with open-work, its linen hand-woven by a Friesland woman, and a blue-and-white cravat. His watch chain, like the head of his cane, came from Messrs. Florent and Chanor; and the coat, cut by old Graff himself, was of the very finest cloth.

At this moment they heard voices; Stidmann and Wenceslas were seeing Chanor to the door; then Wenceslas and Stidmann came in again. Stidmann, an artist in vogue in the world of journalists, famous actresses, and courtesans of the better class, was a young man of fashion whom Valerie much wished to see in her rooms; indeed, he had already been introduced to her by Claude Vignon.

"That, you see," exclaimed Rivet, "is what all young students aim at as soon as they are hatched out of the school-egg. Begin by saving money, I say, and seek glory afterwards." "It spoils your touch to be picking up coin," said Stidmann. "It is Glory's business to bring us wealth." "And, after all," said Chanor to Rivet, "you cannot tether them." "They would eat the halter," replied Stidmann.

The poor lover, to enable him to pay for the materials of the box, of which the panels were of malachite, had designed two candlesticks for Florent and Chanor, and sold them the copyright two admirable pieces of work. "You have been working too hard these last few days, my dear fellow," said Lisbeth, wiping the perspiration from his brow, and giving him a kiss.

"Good-morning, Betty," said Hortense, opening the door herself to her cousin. The cook was gone out, and the house-servant, who was also the nurse, was doing some washing. "Good-morning, dear child," replied Lisbeth, kissing her. "Is Wenceslas in the studio?" she added in a whisper. "No; he is in the drawing-room talking to Stidmann and Chanor." "Can we be alone?" asked Lisbeth.