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Carlin asked if she were needed at once thinking of the many days and the train at noontime. The messenger said that within four hours he was told to deliver the Hakima and Annesley Sahiba at the palace door.

One early morning as she crossed the market-place, Carlin saw a strange elephant there with his mahout; and a messenger approached deferentially, asking if she were the Hakima, and if she could lead the way to Annesley Sahiba. . . . Four hours' journey away this was the messenger's story a native prince whose dignity included the keeping of one elephant, an honourable dispensation from Indian Government, had called in great need for the ministration of the Hakima, and that of her friend, Annesley Sahiba for lo, unto him a child was to be born.

Next day he betakes himself to the castle. When he reached the door, a little flattering carlin met him standing in the door. "All hail and good luck to thee, fisher's son! 't is I myself am pleased to see thee; great is the honour for this kingdom, for thy like to be come into it thy coming in is fame for this little bothy; go in first; honour to the gentles; go in, and take breath."

Mr Forbes, ye maun jist come doon wi' me; for he winna haud's tongue's lang's ye're there. I'll jist mak' a cup o' tay till him." "Tay, guidwife! Deil slocken himsel' wi yer tay! Gie me a sook o' the tappit hen." "'Deed, Mr Cupples, ye s' hae neither sook nor sipple o' that spring." "Ye rigwiddie carlin!" grinned the patient. "Gin ye dinna haud yer tongue, I'll gang for the doctor."

The girl Carlin was always looking ahead one thing only upon her mind time and distance and words, as clearly obstructions to her, as the occasional branches across the path. Once when Skag fixed a big stone for her to pass dry across a shallow ford, she turned to thank him, but her eyes did not actually fill with any image of himself.

In swerving suddenly to pass close by the stand, the elephant had unbalanced her boy-mahout from her neck; but his father the very old mahout was coming as fast as he could across the space before them, calling to her like the lover of wild creatures that he was. Carlin bent from her howdah and spoke joyously: "Put him up, Mitha Baba, put him up!"

All the Italian actors in Paris insisted upon entertaining me, in order to shew me their magnificence, and they all did it in a sumptuous style. Carlin Bertinazzi who played Harlequin, and was a great favourite of the Parisians, reminded me that he had already seen me thirteen years before in Padua, at the time of his return from St. Petersburg with my mother.

One day Carlin, performing at Court as harlequin, stuck in his hat, instead of the rabbit's tail, its prescribed ornament, a peacock's feather of excessive length. This new appendage, which repeatedly got entangled among the scenery, gave him an opportunity for a great deal of buffoonery.

Skag's education was of the kind that accumulates when a man does not know he is being educated. . . . Certainly Carlin was unattainable this was an often recurring thought as he learned Hindi from her and something of Urdu; the usages of her world, its castes and cults. Down in the unwalled city one mid-afternoon, he finished certain errands and started for the bungalow.

Petersburg, where the Empress Anne Iwanowa had not approved of the Italian comedy. The whole of the troop had already returned to Italy, and my mother had travelled with Carlin Bertinazzi, the harlequin, who died in Paris in the year 1783. As soon as she had reached Padua, she informed Doctor Gozzi of her arrival, and he lost no time in accompanying me to the inn where she had put up.