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On a subsequent visit he fails to observe the numerous faults in Canova's "Perseus," and afterwards writes this original statement concerning the "Laocoon": "I felt the Laocoon very powerfully, though very quietly; an immortal agony with a strange calmness diffused through it, so that it resembles the vast age of the sea, calm on account of its immensity; as the tumult of Niagara, which does not seem to be tumult, because it keeps pouring on forever and ever."
Hawthorne overestimates the Apollo Belvidere, as all the world did at that time; but his single remark concerning Canova is full of significance: "In these precincts which Canova's genius was not quite of a character to render sacred, though it certainly made them interesting," etc.
"The passion of the remaining parts belongs rather to Leicester and the Queen. By the way, this is quite a handsome earl, and the whole cast is decidedly strong and successful. Look, Laurance! were you an artist, would you desire a finer model for an Egeria? If Madame had been reared in Canova's studio she could not possibly have accomplished a more elegant felicitous pose.
I looked at Canova's Perseus, and thought it exceedingly beautiful, but, found myself less and less contented after a moment or two, though I could not tell why. Afterwards, looking at the Apollo, the recollection of the Perseus disgusted me, and yet really I cannot explain how one is better than the other. I was interested in looking at the busts of the Triumvirs, Antony, Augustus, and Lepidus.
In Rome he remained practically to the end of his life, returning to Venice to die in 1822. It is possible not too highly to esteem Canova's works, but the man's career was marked by splendid qualities of industry and purpose and he won every worldly honour. In private life he practised unremittingly that benevolence and philanthropy which many Italians have brought to a fine art.
Ascending a long winding staircase, we arrived at another suite of rooms, containing a good many not very remarkable pictures, and a few more pieces of statuary. Among the latter, is Canova's statue of Pauline, the sister of Bonaparte, who is represented with but little drapery, and in the character of Venus holding the apple in her hand.
I stood among the coffins in the vault of the chapel of the Capuchins, where rest the ashes of the Imperial family; I gazed long and fondly, in that of the Augustines, on Canova's exquisite monument to Maria Christina of Saxony.
The exquisite grace and beauty of Canova's statues; the wonderful gravity and repose of many of the ancient works in sculpture, both in the Capitol and the Vatican; and the strength and fire of many others; are, in their different ways, beyond all reach of words. They are especially impressive and delightful, after the works of Bernini and his disciples, in which the churches of Rome, from St.
Here, Canova's Venus breathed an atmosphere of perfume and of light; that wonderful statue, whose full-charged eye is not very classical, to be sure; but then, how true! While they were thus whiling away their time, Lord Squib proposed a visit to the theatre, which he had ordered to be lit up. To the theatre they repaired.
There they saw Canova's Hebe, and his colossal statue of Clement XIII. "The desire of seeing and approaching the sovereign," says the Moniteur, "had made the crowd larger. An octogenarian who had in vain struggled to get to a staircase before him, was hustled and knocked down on the steps by the eager multitude. The Empress, who was following, ran to his aid.
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