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Opening a door I found myself in a huge church, which had a long history I ought to have known something about, but didn't. "Now read this, and try to take it in: 'Returning to the Cancelleria, we proceed to the Piazza Campo de' Fiori, where the vegetable market is held in the morning, and where criminals were formerly executed.

When Pierre passed the Cancelleria, that stern colossal pile seemed to him to be receding, fading away; and farther on, upon the right, at the end of the Via di Ara Coeli, starred by a few smoky gas lamps, the Capitol had quite vanished in the gloom.

Towards dusk Alfieri put by his books, and descended through the twilit streets of the upper city where the troops of red and yellow and blue seminarists, and black and brown monks, passed by like ants, homeward bound after their evening walk into the busier parts of Rome, and crossing the Corso filled with painted and gilded coaches, and making his way through the many squares where the people gathered round the lemonade-booth near the fountain or the obelisk, through the tortuous black streets filled with the noise of the anvils and hammers of the locksmiths and nailors behind the Pantheon, made his way towards the palace, grand and prim in its architecture of Bramants, of the Cancelleria, perhaps not without thinking that in the big square before its windows, where the vegetable carts were unloaded every morning, and the quacks and dentists and pedlars bawled all day, a man as strange, as wayward and impatient of tyranny as himself, Giordano Bruno, had been burned two centuries before by Cardinal York's predecessor in that big palace of the Cancelleria.

We had seen much of him at Rome, and were horrified, in 1848, to hear that he had been assassinated on the steps of the Cancelleria, at Rome, where the Legislative Assembly met, and whither he was proceeding to attend its first meeting. No one offered to assist him, nor to arrest the murderers except Dr.

They are as near to us as Pius VII. and Napoleon. I never drive out of the old Nomentan Gate without remembering the ghastly flight of Nero, his recognition there by an old centurion, his damp, drear hiding-place underground, where, shuddering and quoting Greek, he waited for his executioners, and his subsequent terrible and cowardly death, as narrated by Tacitus and Suetonius; and it seems nearer to me, more vivid, and more actual, than the death of Rossi in the court of the Cancelleria.

The Palace of the Massimo, once built to follow the curve of a narrow winding street, but now facing the same great thoroughfare as the Cancelleria, has something of the same quality, with a wholly different character.

Fortunately there was no Cardinal York in the Cancelleria, or at least only rarely; but instead only the beautiful blonde woman with the dark hazel eyes, whom Alfieri spoke of as his "lady," and, somewhat later, "as the sweet half of himself," and in whose speech Alfieri was never Alfieri, or Vittorio, or the Count, but merely "the poet," so completely had these strange, self-modelling, unconsciously-attitudinising lovers, arrayed themselves and their love according to the pattern of Dante and Petrarch.

After this, in the year 1543, Giorgio Vasari, having to execute a panel-picture in oils for the Great Cancelleria by order of the most illustrious Cardinal Farnese, and another for the Church of S. Agostino at the commission of Galeotto da Girone, sent for Cristofano, who went very willingly, as one who had a desire to see Rome.

But when he passed before the Cancelleria,* Bramante's masterpiece, the typical monument of the Roman Renascence, his astonishment came back to him and his mind returned to the mansions which he had previously espied, those bare, huge, heavy edifices, those vast cubes of stone-work resembling hospitals or prisons.

"He is both powerful and exquisite, his verve always ready, his ingenuity invariably awake, his fecundity full of grace and magnificence. As for their Bramante with his masterpiece, that cold, correct Cancelleria, we'll dub him the Michael Angelo and Raffaelle of architecture and say no more about it.