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At Venice they stayed in Danieli's Hotel, on the Riva dei Schiavoni, and began by studying picturesque canal-life. Mr. Boxall, R.A., and Mrs. Jameson, the historian of Sacred and Legendary Art, were their companions. Another old friend, Joseph Severn, had in 1843 gained one of the prizes at the Westminster Hall Cartoons Competition; and a letter from Ruskin, referring to the work there, shows how he still pondered on the subject that had been haunting him in the Alps: "With your hopes for the elevation of English art by means of fresco I cannot sympathize.... It is not the material nor the space that can give us thoughts, passions, or power. I see on our Academy walls nothing but what is ignoble in small pictures, and would be disgusting in large ones.... It is not the love of fresco that we want; it is the love of God and His creatures; it is humility, and charity, and self-denial, and fasting, and prayer; it is a total change of character. We want more faith and less reasoning, less strength and more trust. You want neither walls, nor plaster, nor colours ça ne fait rien
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