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If I recollect rightly, there are also some cadenzas which I once jotted down, and at all events an aria cantabile with coloraturas? I wish to have these first, for they will serve as exercises for Madlle. Weber. I have just taught her an andantino cantabile of Bach's.

Another great musical quality in which she surpassed her contemporaries was her taste and extraordinary facility in ornament. Always refined and true in style, she showed a variety and brilliancy in her changes and cadenzas which made her the envy of other singers. In this form of accomplishment she was first among Italians, who, again, are first among the singers of the world.

He also wrote a little work on the execution and employment of the various kinds of shakes, mordents, cadenzas, etc., according to the usage of the classical Italian school.

"In original cadenzas by virtuosi," he said, "we find too much violin and too little music," for which confession from such an artist the world may be truly grateful. When Ysaye came to America in 1894 he was prepared with a repertoire consisting of ninety-one pieces. Of these, fourteen were concertos, seventeen sonatas, and eleven were compositions of his own.

The fiery recitatives of No. 18 in F minor are a glimpse of Chopin, muscular and not hectic. In these editions you will find three different groupings of the cadenzas. It is Riemann's opportunity for pedagogic editing, and he does not miss it. In the first long breathed group of twenty-two sixteenth notes he phrases as shown on the following page.

I said as much to the master, and he consented to give me "Bel raggio," of "Semiramide." It is as good as an exercise, anyway, because it is nothing but cadenzas. Then he allowed me to sing "Una voce poco fa." I told him that mama had put on a pound of flesh since I was permitted to roam in these fresh pastures. This made him laugh.

It may be full of monologues, interspersed cadenzas, improvised preludes and short phrases, as Kullak suggests, yet there is unity in the composition, the units of structure and style. It was music of the future when Chopin composed; it is now music of the present, as much as Richard Wagner's. But the realism is a trifle clouded.

I have lately made her practise the passages in the Grand Aria, because, if she goes to Italy, it is necessary that she should sing bravuras. The cantabile she certainly will never forget, being her natural bent. So now you know everything. I do still recommend her to you with my whole heart, and I beg you will not forget about the arias, cadenzas, &c. I can scarcely write from actual hunger.

Even more important was the change which he introduced into the manner of singing fioriture or florid music. Before his day singers had been accustomed to introduce cadenzas of their own, to a great extent when they liked. Rossini insisted upon their singing nothing but what was set down for them.

Rosalie, her little fat fingers staggering helplessly among the first cadenzas of the symphony. "One two three. One" ... Monsieur Philomène interrupted with a wave of the hand, as if conducting an orchestra. "Pardon, Mademoiselle," he said, "not quite so fast, if you please! Andantino andantino one two three ... Just so! A thousand thanks!" Again Mdlle. Rosalie attacked the symphony.