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The first lines are the source of the famous lines in Goethe's Faust: 'Ach Gott! die Kunst ist lang Und kurz ist unser Leben, Mir wird bei meinem kritischen Bestreben Doch oft um Kopf und Busen bang.
Mächtiger Der Erdensöhne, Prächtiger, Baue sie wieder In deinem Busen baue sie auf." Great, however, was my perplexity, not to say disappointment, as I followed the progress of this "mighty son of earth" in his work of reconstruction. Undoubtedly "Dieu" disappeared, but the "Nouveau Grand-Être Suprême," a gigantic fetish, turned out bran-new by M. Comte's own hands, reigned in his stead.
Cruikshank's works the "Busen fuhlt sich jugendlich erschuttert," the "schwankende Gestalten" of youth flit before one again, Cruikshank's thrush begins to pipe and carol, as in the days of boyhood; hence misty moralities, reflections, and sad and pleasant remembrances arise. He is the friend of the young especially. Have we not read, all the story-books that his wonderful pencil has illustrated?
The words begin to lose coherence and meaning, and are often purely interjectional. One passage may be noted for its interesting modulations, the alternating duet with the words "Barg im Busen uns sich die Sonne." It is in phrases of three bars in rising semitones, A flat A natural A natural B flat, ending in the beautiful strain No. 13 as they fall asleep in one another's arms.
The Negroes of Senegal and the Hottentots use wooden mortars. At Natal and amongst the Amazulu Kafirs, the work is done with slabs and rollers like those described above. In the Eastern World this well-known fermentation is generally called "Buzab," whence the old German word "busen" and our "booze." The addition of a dose of garlic converts it into an emetic.
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