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Madame Bovary was lavish of them; and the words "daughter" and "mother" were exchanged all day long, accompanied by little quiverings of the lips, each one uttering gentle words in a voice trembling with anger.

I know well that the waltz is more or less like this, but that makes it no more moral! Take Madame Bovary in her most simple acts, and we have always the same stroke of the brush, on every page. Even Justin, the neighbouring chemist's boy, undergoes some astonishment when he is initiated into the secrets of this woman's toilette. He carries his voluptuous admiration as far as the kitchen.

Now, take a book like Madame Bovary, painfully and laboriously constructed it seems obvious enough, yet the more one reads it the more one becomes aware how every stroke and detail tell.

But as soon as he caught sight of Madame Bovary, "Excuse me," he said; "I did not recognise you." He thrust the catechism into his pocket, and stopped short, balancing the heavy vestry key between his two fingers. The light of the setting sun that fell full upon his face paled the lasting of his cassock, shiny at the elbows, unravelled at the hem.

They had all, Monsieur and Madame Bovary, Homais, and Monsieur Léon, gone to see a yarn-mill that was being built in the valley a mile and half from Yonville. The druggist had taken Napoléon and Athalie to give them some exercise, and Justin accompanied them, carrying the umbrellas on his shoulder. Nothing, however, could be less curious than this curiosity.

They remained alone Madame Bovary, her back turned, her face pressed against a window-pane; Leon held his cap in his hand, knocking it softly against his thigh. "It is going to rain," said Emma. "I have a cloak," he answered. "Ah!" She turned around, her chin lowered, her forehead bent forward.

The leading notions that are to be followed are clearly laid down in it, and I shall have nothing more to say that is not in some sense an extension and an amplification of hints to be found in Madame Bovary. For that reason I have lingered in detail over the treatment of a story about which, in other connections, a critic might draw different conclusions.

It is not so easy to find as might be supposed; or rather it might be difficult to find, but for the fact that immediately in a critic's path, always ready to hand and unavoidable, there lies one book of exactly the sort I seek, Flaubert's Madame Bovary.

If it is the experience and the actual taste of it that is to be imparted, the story must be viewed as the poor creature saw it; and yet the poor creature cannot tell the story in full. A shift of the vision is necessary. And in Madame Bovary, it is to be noted, there is no one else within the book who is in a position to take up the tale when Emma fails.

She could have wished this name of Bovary, which was hers, had been illustrious, to see it displayed at the booksellers', repeated in the newspapers, known to all France. But Charles had no ambition. An Yvetot doctor whom he had lately met in consultation had somewhat humiliated him at the very bedside of the patient, before the assembled relatives.