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Scandal says that Haydn, who had a very affectionate and sympathetic nature, found ample consolation for marital infelicity in the charms and society of the lovely Boselli, a great singer. He had her picture painted, and humored all her whims and caprices, to the sore depletion of his pocket. In after-years again he was mixed up in a little affair with the great Mrs.

Bolshevist envoys had been received with open arms at Turin, and Orlando, then Minister of the Interior, had refrained on principle from hampering their activities. More singular was the coincidence of Von Buelow's offensive with a Parliamentary crisis which precipitated the fall of the Boselli Ministry.

Carpani in his thirteenth letter draws a pleasant picture of Haydn's life with his mistress Boselli, and incidentally describes how various composers composed: Gluck with his piano in a summer meadow and the bottled sunshine of Champagne on each side; Sarti in a dark room at night with a funereal lamp pendant from the ceiling; Salieri in the streets eating sweets; Paer while joking with his friends, gossiping on a thousand things, scolding his servants, quarrelling with his wife and children and petting his dog; Cimarosa in the midst of noisy friends; Sacchini with his sweetheart at his side and his kittens playing on the floor about him; Paesiello in bed; Zingarelli after reading the holy fathers or a classic; Anfossi in the midst of roast capons, steaming sausages, gammons of bacon and ragouts.

"It was at this time that, seeking solace in friendship, he contracted that bond of sentiment which lasted till death with Boselli, a singer in the service of Prince Esterházy. This friendship, rousing jealous suspicions in the mind of Mrs. Anna, ended by rendering her unendurable.

"But Haydn, like Newton, alone and obscure, voyaged the skies in his chair; on his finger the ring of Frederick like the invisible ring of Angelica. When he returned among mortals, Boselli and his friends divided his time. For thirty years he led this life, monotona ma dolcissima, not knowing his growing fame nor dreaming of leaving Eisenstadt, save when he mused on Italy.

It was then that he went to London." This mistress of Haydn's, whom Carpani and Fétis call Boselli and whom Dies calls Pulcelli, is now generally called Polzelli, following the spelling in Haydn's own handwriting. The pleasant legend Carpani gives of Haydn's life with this woman, undisturbed by ambition until her death, is as much upset by later writers as is the spelling of her name.