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Pueblo coiled pottery developed from basketry. Seizing the suggestion afforded by the rude tray-molded parching-bowls, particularly after it was discovered that if well burned they resisted the effects of water as well as of heat, the ancient potter would naturally attempt in time to reproduce the boiling-basket in clay.

Other very important types of vessels were made in a similar way. I refer especially to canteens and water-bottles. The water-bottle of wicker differed little from the boiling-basket. It was generally rounder-bodied, longer and narrower necked, and provided at one side near the shoulders or rim with two loops of hair or strong fiber, usually braided.

She would find that to accomplish this she could not use as a mold the inside of the boiling-basket, as she had the inside of the tray, because its neck was smaller than its body. Nor could she form the vase by plastering the clay outside of the vessel, not only for the same reason, but also because the clay in drying would contract so much that it would crack or scale off.

To add yet another link to this chain of connection between the coiled boiling-basket and the spirally-built cooking-pot, the names of the two kinds of vessels may be given. The boiling-basket was known as li a k‘ia ni tu li a tom me, the corrugated cooking pot as wo li a k‘ia te´ ni tu li a ton ne, the former signifying "coiled cooking-basket," the latter "coiled earthenware cooking-basket."

All this would indicate that the thlä´ lin ne, coated with clay for roasting, had given birth to the thlé mon ne, or parching-pan of earthenware. Among the Havasupaí, still surviving as a sort of bucket, is the basket-pot or boiling-basket, for use with hot stones, which form I have also found in some of the cave deposits throughout the ancient Zuñi country.