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For Giovan Maria Benintendi he painted three little scenes with his own hand; and for the house of the Medici, at the election of Leo X, he painted a round picture of his arms, in oils, with Faith, Hope, and Charity, which hung for a long time over the door of their palace.

For the antechamber of Giovan Maria Benintendi, which likewise has been already mentioned, he painted two very beautiful pictures with little figures, in one of which, the most beautiful and the most abundant in figures, is the Baptist baptizing Jesus Christ in the Jordan. He also executed many others for various persons, which were sent to France and England.

It is now in the possession of Francesco Benintendi, in Florence. For Giulio de' Medici, Cardinal and Vice-Chancellor, he painted a panel-picture, to be sent into France, of the Transfiguration of Christ, at which he laboured without ceasing, and brought it to the highest perfection with his own hand.

A brother of this Baccio, and likewise a disciple of Pietro, was Francesco, called Il Bacchiaccha by way of surname, who was a most diligent master of little figures, as may be seen in many works wrought by him in Florence, above all in the house of Giovan Maria Benintendi and in that of Pier Francesco Borgherini.

In the Dresden Gallery is a work, Scenes from the Life of David, signed A. S., MDXXIII., and his monogram, a painting very much in the style of Andrea del Sarto's Life of Joseph. He had the commission from Gio Maria Benintendi in 1523. It is one of those curious pictures which have many scenes in one a style which militates greatly against artistic unity.

Born to a wealthy Florentine merchant, Andrea di Messer Lapo by name, little Vanna went her ways with the children, yet with a sort of naïve sincerity after all, so that when she heard Saint Catherine praised or Saint Francis, she believed it and wished to be of that company; but the world, full of glamour and laughter in those days, and now too, caught her by the waist and bore her away, in the person of a noble youth of the Benintendi, who loved her well enough; yet it was love she loved rather than her husband; and life calling sweetly enough down the long narrow streets, she followed, yes, till she was a little weary.

Giovan Maria Benintendi, about this same time, had adorned an antechamber in his house with many pictures by the hands of various able men; and after the work executed for Borgherini, incited by hearing Jacopo da Pontormo very highly praised, he caused a picture to be painted by him with the Adoration of the Magi, who went to Bethlehem to see Christ; which work, since Jacopo devoted to it much study and diligence, proved to be well varied and beautiful in the heads and in every other part, and to be truly worthy of all praise.