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In Giorgione's own lifetime, the exact measure of the opposition is not easy to gauge, but it bore fruit a few years later in the machinations of the official Bellinesque party to keep Titian out of the Ducal Palace when he was seeking State recognition, Nevertheless, Giambellini, even at his age, found it advisable to modulate into the newer key, as may be seen in his "S. Giovanni Crisostomo enthroned," where not only is the conception lyrical and the treatment romantic, but the actual composition is on the lines of the essentially Giorgionesque equilateral triangle.

To the fashion for the Bellinesque conceptions of a certain class, even Alvise Vivarini, the vigorous head of the opposite school in its latest Quattrocento development, bowed when he painted the Madonnas of the Redentore and S. Giovanni in Bragora at Venice, and that similar one now in the Vienna Gallery. Lorenzo Lotto, whose artistic connection with Alvise Mr.

Next, this anonymous painter must have been a singularly refined and poetical artist, a master of brilliant colour, and an accomplished chiaroscurist. Truly a deus ex machina! Next you have to find a vacancy for such a phenomenon in the already crowded lists of Bellini's pupils and followers, as if there were not more names than enough already to fully account for every Bellinesque production.

Some passages of the Bacchanal, however especially the figures of the two blond, fair-breasted goddesses or nymphs who, in a break in the trees, stand relieved against the yellow bands of a sunset sky are as beautiful as anything that Venetian art in its Bellinesque phase has produced up to the date of the picture's appearance.

The figures are Bellinesque, yet with that added touch of delicacy and refinement which Giorgione always knows how to impart.

If it is Titian that we have here, as certainly appears most probable, he cannot be deemed to have exerted his full powers in completing or developing the Bellinesque landscape. The task may well, indeed, have presented itself to him as an uninviting one.

Even the tall, beetling crag, crowned with a castle sunset-lit so confidently identified with the rock of Cadore and its castle is Bellinesque in conception, though not in execution.

In the Scuola di S. Rocco, Venice. The most Bellinesque work of Titian's youth with which we are acquainted is the curious Man of Sorrows of the Scuola di S. Rocco at Venice, a work so faded, so injured by restoration that to dogmatise as to its technique would be in the highest degree unsafe. The type approaches, among the numerous versions of the Piet

This date now proves with the artist's signature to be a forgery, and the picture in question, which, with strong traces still of the Bellinesque mode of conception and the Bellinesque style, shows a larger and more modern technique, can no longer be cited as proving the priority of Palma in the development of the full Renaissance types and the full Renaissance methods of execution.

Now if the name of Giorgione be denied this "Nativity," to which of the followers of Bellini are we to assign it? for the work is clearly of Bellinesque stamp. The name of Catena has been proposed, but is now no longer seriously supported.