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Kinney relieved the slight embarrassment that had come upon both of them: he laughed again. "Wait till you know young Georgie a little better," he said. "Something tells me you're going to change your mind about his having an angel to show, if you see anything of him!" "You mean beauty's in the eye of the beholder, and the angel is all in the eye of the mother.

Though the city is nearly flat in the new and wealthy quarter, the hilly portions, where the poorer classes live, are covered with brick or wooden huts of gaudy tints that astonish rather than charm the beholder. Like all cities situated upon the water's edge, and upon fertile hills, Christiania is extremely picturesque, and it would not be unjust to compare its fiord to the famous Bay of Naples.

And as the frantic wielders of these weapons snatched them from the stream of sparks and tore away into the streets, the same red hue was red in their frenzied eyes; eyes which any unbrutalised beholder would have given twenty years of life, to petrify with a well-directed gun.

Polished mirrors of a spotless clearness, framed in golden frames and built into the walls, reflected the waxed floors, the rich Oriental carpets, and the sumptuous paintings that hung against the ivory-tinted paneling, so that in appearance the beauties of the apartment were continued in bewildering vistas upon every side toward which the beholder directed his gaze.

Its surface is agreeably diversified with high hills and low beautiful valleys, whilst its circumference is almost wholly surrounded by a chain of dark, rocky cliffs, which gives to this remote island a somewhat fantastic appearance to the eye of the beholder, as he approaches it from the sea.

"Shut up!" snapped Jeter, but he was glad that Hadley had grasped the idea. It was a slim chance, but such as it was it was worth trying. If the plane were invisible for a time, then it would be proof of some opaque obstruction between the plane and the eye of the beholder on the surface of the Earth. Refraction had to be figured, perhaps. Oh, there were many arguments against it.

Eleven o'clock, A.M., Samuel Adolphus Poole, Esq., is in his parlour, the house one of those new dwellings which yearly spring up north of the Regent's Park, dwellings that, attesting the eccentricity of the national character, task the fancy of the architect and the gravity of the beholder each tenement so tortured into contrast with the other, that, on one little rood of ground, all ages seemed blended, and all races encamped.

The use of huge blocks of stone, not only in platforms, but in the buildings themselves, in the shafts of pillars, the antae of porticos, the jambs of doorways, occasionally in roofs, and perhaps in epistylia, produced the same impression of power, and the same feeling of personal insignificance in the beholder, which is commonly effected by great size in the edifice, and particularly by height.

General impression upon the dazed beholder you could not see the forest for the trees. Psychology, with a capital P and the foot of a lynx, at this juncture stalks into the ranch house. Three men, a cook, a pretty young woman all snowbound. Count me out of it, as I did not count, anyway. I never did, with women. Count the cook out, if you like. But note the effect upon Ross and Etienne Girod.

With this in view, the chief feature of the display consists of Canadian landscapes, illustrating the agricultural, lumbering, mining, and shipping interests of British North America. The scenes are set to produce a remarkable perspective. The beholder seems to stand on rising ground, looking away over miles of country.