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The throat and breast of the male are a rich black like velvet, his face yellow, and his back a yellowish green. Beyond the Barkpeeling, where the woods are mingled hemlock, beech, and birch, the languid midsummer note of the black-throated blue-back falls on my ear.

Beyond the Barkpeeling, where the woods are mingled hemlock, beech, and birch, the languid midsummer note of the black-throated blue-back falls on my ear. "Twea, twea, twea-e-e!" in the upward slide, and with the peculiar z-ing of summer insects, but not destitute of a certain plaintive cadence. It is one of the most languid, unhurried sounds in all the woods.

I pass on through the old Barkpeeling, now threading an obscure cow-path or an overgrown wood-road; now clambering over soft and decayed logs, or forcing my way through a network of briers and hazels; now entering a perfect bower of wild cherry, beech, and soft maple; now emerging into a little grassy lane, golden with buttercups or white with daisies, or wading waist-deep in the red raspberry-bushes.

Continuing my random walk, I next paused in a low part of the woods, where the larger trees began to give place to a thick second-growth that covered an old Barkpeeling. I was standing by a large maple, when a small bird darted quickly away from it, as if it might have come out of a hole near its base.

But the tanager loses nothing by a near view; the deep scarlet of his body and the black of his wings and tail are quite perfect. This is his holiday suit; in the fall be becomes a dull yellowish green, the color of the female the whole season. One of the leading songsters in this choir of the old Barkpeeling is the purple finch or linnet.

In a secluded swampy corner of the old Barkpeeling, where I find the great purple orchis in bloom, and where the foot of man or beast seems never to have trod, I linger long, contemplating the wonderful display of lichens and mosses that overrun both the smaller and the larger growths.

Turning to the left from the old road, I wander over soft logs and gray yielding débris, across the little trout brook, until I emerge in the overgrown Barkpeeling, pausing now and then on the way to admire a small, solitary now and then on the way to admire a small, solitary white flower which rises above the moss, with radical, heart-shaped leaves, and a blossom precisely like the liverwort except in color, but which is not put down in my botany, or to observe the ferns, of which I count six varieties, some gigantic ones nearly shoulder-high.

I pass on through the old Barkpeeling, now threading an obscure cow-path or an overgrown wood-road; now clambering over soft and decayed logs, or forcing my way through a network of briers and hazels; now entering a perfect bower of wild cherry, beech, and soft maple; now emerging into a grassy lane, golden with buttercups or white with daisies, or wading waist-deep in the red raspberry-bushes.

Later in the day, when I had penetrated the heart of the old Barkpeeling, I came suddenly upon one singing from a low stump, and for a wonder he did not seem alarmed, but lifted up his divine voice as if his privacy was undisturbed. I open his beak and find the inside yellow as gold. I was prepared to find it inlaid with pearls and diamonds, or to see an angel issue from it.

Later in the day, when I had penetrated the heart of the old Barkpeeling, I came suddenly upon one singing from a low stump, and for a wonder he did not seem alarmed, but lifted up his divine voice as if his privacy was undisturbed. I open his beak and find the inside yellow as gold. I was prepared to find it inlaid with pearls and diamonds, or to see an angel issue from it.