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The autograph copy of the above list contains some of those orthographical blunders which Bonaparte so frequently committed. Whether these blunders are attributable to the limited course of instruction he received at Brienne, to his hasty writing, the rapid flow of his ideas, or the little importance he attached to that indispensable condition of polite education, I know not.

In another case there were the original autograph copies of several famous works, for example, that of Pope's Homer, written on the backs of letters, the direction and seals of which appear in the midst of "the Tale of Troy divine," which also is much scratched and interlined with Pope's corrections; a manuscript of one of Ben Jonson's masques; of the Sentimental Journey, written in much more careful and formal style than might be expected, the book pretending to be a harum-scarum; of Walter Scott's Kenilworth, bearing such an aspect of straightforward diligence that I shall hardly think of it again as a romance; in short, I may as well drop the whole matter here.

After staying there three-quarters of an hour we went to Lady Palmerston's, where were all the GREAT London world, the Duchess of Sutherland among the number. She is most noble, and at the same time lovely. . . . We had an autograph note from Sir Robert Peel, inviting us to dine next Saturday, and were engaged.

He had a fine piano in a beautifully decorated case, and it was an open secret that at his musical evenings, after an artist had played, the lid of the piano was raised, and Sir Lawrence asked him to pencil his autograph on the soft white wood of its inner surface but only if he thought the compliment deserved.

This line of thought leads me to the further remark, that some part of the solace derived from books has changed its character since the art of printing was invented. In former times the personality, if not of the author, at all events of the scribe, pressed itself perforce upon the reader. The reader had before him, not necessarily an autograph, but at all events a manuscript.

This was the crafty handiwork of the accomplished dame; the duke having employed her as his amanuensis, and being accustomed to sign her autograph lists without examination. In the year 1814, my battalion of the Guards was once more in its old quarters in Portman Street barracks, enjoying the fame of our Spanish campaign.

He may be forgiven, it was past midnight, and there was not a human being awake but himself within ten miles when he began to read. The manuscript was discolored, obliterated, and mutilated beyond any that had ever before exercised the patience of a reader. Michaelis himself, scrutinizing into the pretended autograph of St. Mark at Venice, never had a harder time of it.

There are great varieties of circumstances that influence and decide the autograph. I have no faith in the science of chirography. I could, from a pack of letters in one pigeon-hole, put to rout the whole theory. I have come to the conclusion that he who judges of a man's character by his penmanship makes a very poor guess.

Why, if Adam was to show himself to every new comer that wants to call and gaze at him and strike him for his autograph, he would never have time to do anything else but just that. Talmage has said he is going to give Adam some of his attentions, as well as A., I. and J. But he will have to change his mind about that." "Do you think Talmage will really come here?"

Calhoun, whose words are strangely dashed off without letters, and whose name, were it less illustrious, would be unrecognizable in his own autograph. But of all hands that can still grasp a pen, we know not the one, belonging to a soldier or a statesman, which could interest us more than the hand that wrote the following: "Sir, your note of the 6th inst. is received.