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In this way Ovid is a great imitator of Virgil; so to a less extent are Propertius, Manilius, and Lucan. Statius and Silius base their whole poetical art on him, and therefore particular instances of imitation throw no additional light on their style. We shall here notice a few of the points in which the Augustan poets copied him: In Facts.
"This is the golden age of the British Empire, its Augustan age. Any imperialistic nation would have fought any war at any time to obtain such results, and as imperialistic nations count costs, the British cost, in spite of its great sums in men and money was small." Half the World Without a Struggle Two significant facts stand out in this record of spoils distribution.
Indeed, I should advise him to attack the nineteenth century before the eighteenth, for the reason that, unless his taste happens to be peculiarly "Augustan," he will obtain a more immediate satisfaction and profit from his acquisitions in the nineteenth century than in the eighteenth.
The great genius of the Roman was political; the Augustan Age produced a few great historians and poets, but not a single great philosopher or creative devotee of science. Cicero, Lucian, Seneca, Marcus Aurelius, give us at best a reflection of Greek philosophy.
On the other hand, the days have passed for attention to be spared for the treatment experienced by Chaucer in the Augustan Age, to which he was a barbarian only to be tolerated if put into the court-dress of the final period of civilisation. Still, even thus, he was not left altogether unread; nor was he in all cases adapted without a certain measure of success.
Such are the celebrated productions of the Augustan age, which have been happily preserved, for the delight and admiration of mankind, and will survive to the latest posterity.
The actor, Ambivius Turpio, a tried servant of the public, maintains that his own perseverance had a great deal to do with the final victory of Caecilius; and he apologises for bringing forward a play which had once been rejected, by his former success in similar circumstances. Horace implies that he maintained during the Augustan age the reputation of a dignified writer.
It was not in a time of ignorance and barbarism that the Saviour was born. The Augustan is, undoubtedly, the most intellectual and refined age, in point of literary and artistic taste, that the world has ever seen. A few centuries before, Greece had reached the summit of science and art.
It was not till Thomson began to publish The Seasons in 1726 that the development was complete in poetry. Thomson is a difficult poet to appreciate rightly, for though his subject was 'nature' his method was often as conventional and artificial as that of any Augustan; but he was a lover of the fields and woods, and his imagination, if it is not very powerful, is often very sincere.
The literary men of the Ciceronian and Augustan age published their plays as a matter of course; Varius was coupled by his contemporaries with Virgil and Horace; and the lost Medea of Ovid, like the never-finished Ajax of Augustus, would be at the least a highly interesting literary document.
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