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He seems to have no notion of any thing between the Platonic passion of the Glendoveer who gazes with rapture on his mistress's leprosy, and the brutal appetite of Arvalan and Roderick. In Roderick, indeed, the two characters are united. He is first all clay, and then all spirit. He goes forth a Tarquin, and comes back too ethereal to be married.
Almost all his heroes make love either like Seraphim or like cattle. He seems to have no notion of anything between the Platonic passion of the Glendoveer who gazes with rapture on his mistress's leprosy, and the brutal appetite of Arvalan and Roderick. In Roderick, indeed, the two characters are united. He is first all clay, and then all spirit.
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