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Here Sir Philip Sidney wrote his "Arcadia," and the ever youthful presence of the man himself rather than the recollection of his writings takes possession of us.

She and the King read them in the original, but soon there arrived English translations and imitations. These began to appear a good deal sooner than bibliographers have been prepared to admit. Of the Astrée of D'Urfé which, however, is properly a link between the Arcadia of Sidney and the genuine heroic novel there was an English version as early as 1620.

The reference here is both to the Pole-star as the guide of mariners, and to the magnetic attraction of the North He calls it also the "Star of Arcady," because Callisto's boy was named Arcas, and they lived in Arcadia. In "Comus," the brother, benighted in the woods, says: "... Some gentle taper!

Afterward he had traveled through Germany, Italy, and the Netherlands, had gone as embassador to the emperor's court, and every-where won golden opinions. In 1580, while visiting his sister Mary, Countess of Pembroke, at Wilton, he wrote, for her pleasure, the Countess of Pembroke's Arcadia, which remained in manuscript till 1590.

Although the roads of the island have within the last twenty years been rendered passable for vehicles of all kinds, even to stage coaches, yet by far the best mode of inspecting this English Arcadia is to travel through it on foot, commencing at Ryde. From this town a footpath leads across the park and grounds of St. John's into the high road which may be followed to Brading.

Two years after the capture of the Greatest Noble, he established a new capital on the coast and named it Kingston. And from Kingston he ruled with an iron hand. As has been intimated, this was not Arcadia.

S. has always been considered as the type of English chivalry; and his extraordinary contemporary reputation rested on his personal qualities of nobility and generosity. His writings consist of his famous pastoral romance of Arcadia, his sonnets Astrophel and Stella, and his Apologie for Poetrie, afterwards called Defence of Poesie.

An allusion to Denham's Sophy places the date of composition after 1642. The plot is taken direct from the Arcadia, the names being retained, and there is nothing to show that the author, whoever he may have been, knew anything of Cupid's Revenge.

The Arcadian, however, will never help himself from an outsider's pouch. Nevertheless, there was one black week when we all smoked the ordinary tobaccoes. Owing to a terrible oversight on the part of our purveyor, there was no Arcadia to smoke. We ought to have put our pipes aside and existed on cigars; but the pipes were old friends, and desert them we could not.

But I find that both the Caissa, and the Arcadia, which is taken from a paper in the Guardian, were done, as the author says, at the age of 16 or 17 years, and were saved from the fire in preference to a great many others, because they seemed more correctly versified than the rest. It is, therefore, hardly fair to judge them very strictly.