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The noted Bishop Atterbury wrote to a friend, Trelawney, Bishop of Winchester, concerning a performance here of Trelawney's son: "I had written to your lordship again on Saturday, but that I spent the evening in seeing Phormio acted in the college chamber, where, in good truth, my lord, Mr. Trelawney played Antipho extremely well, and some parts he performed admirably."
With such and the like fopperies were petty brains troubled, said Luther, and were instructed neither in good arts nor in divinity. Antipho, Chusa, Bovillus, and others were likewise miserably molested and plagued about bringing a thing which was round into four square, and to compare a straight line with a crooked.
But in the rhetorical schools it gradually leavened taste by its attractive qualities, and men like Latro must be regarded as wielding immense influence on Roman style, though somewhat in the background, much as Antipho influenced the oratory of Athens.
Whether this will ultimately prove for the better or the worse, it would be a bold man who should dare say; there is at least one thing left to desire in it i. e., that the synonym of "Aspasia," which serves so often to designate in journalistic literature these Free Lances of life, were more suitable in artistic and intellectual similarity, and that, when the Zu-Zu and her sisterhood plunge their white arms elbow-deep into so many fortunes, and rule the world right and left as they do, they could also sound their H's properly, and knew a little orthography, if they could not be changed into such queens of grace, of intellect, of sovereign mind and splendid wit as were their prototypes when she whose name they debase held her rule in the City of the Violet Crown, and gathered about her Phidias the divine, haughty and eloquent Antipho, the gay Crates, the subtle Protagorus, Cratinus so acrid and yet so jovial, Damon of the silver lyre, and the great poets who are poets for all time.
There is a Chremes in four plays who stands for an old man in three, for a youth in one; while the names Sostrata, Sophrona, Bacchis, Antipho, Hegio, Phaedria, Davus, and Dromo, all occur in more than one piece. Thus we lose that close association of a name with a character, which is a most important aid towards lively and definite recollection.
"To go no further than TERENCE. You find in the Eunuch, ANTIPHO entering, single, in the midst of the Third Act, after CHREMES and PYTHIAS were gone off. He also gives you an account of himself, and of his returning from the country, in monologue: to which unnatural way of Narration, TERENCE is subject in all his Plays.
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