United States or Vatican City ? Vote for the TOP Country of the Week !
And I would | that my tongue | might utter The thoughts | That arise | in me. The stresses are nearly even throughout; the meter cannot be accurately described as iambic, trochaic, or anapestic; yet there is a rhythm in the approximate temporal equality of the thought-moments. These verses are, however, rather songs than poems.
Or, combining these two modes of nomenclature, one may legitimately speak of iambic feet as "duple rising," "And never lifted up a single stone"; trochaic as "duple falling," "Here they are, my fifty perfect poems"; anapestic as "triple rising," "But he lived with a lot of wild mates, and they never would let him be good"; and dactylic as "triple falling";
There is, however, no absolute contrast between the two kinds, because a falling rhythm is still a rhythm, and that means a movement which necessarily contains something of instability and unrest. The contrast is sharpest in the anapestic and dactylic, less sharp in the trochaic and iambic.
The six-stress anapestic line which Tennyson preferred for his later dramatic monologues like "Rizpah" is really a ballad measure, and is seen as such to its best advantage in "The Revenge." But in his monologues of the pure soliloquy type, like "St. Agnes" and "Sir Galahad," the metre is brilliantly lyrical, and the lyric associations of the verse are carried over into the mood of the poem.
Natural "stressers" may prefer to call iambic and anapestic units "rising" feet, to indicate the ascent of stress as one passes from the weaker to the stronger syllables; and similarly, to call trochaic and dactylic units "falling" feet, to indicate the descent or decline of stress as the weaker syllable or syllables succeed the stronger.
We were told, of course, that it was not all quite as simple as this: that there were frequent metrical variations, such as trochees changing places with dactyls, and anapests with iambi; that feet could be inverted, so that a trochaic line might begin with an iambus, an anapestic line with a dactyl, or vice versa; that syllables might be omitted at the beginning or the end or even in the middle of a line, and that this "cutting-off" was called catalexis; that syllables might even be added at the beginning or end of certain lines and that these syllables were called hypermetric; and that we must be very watchful about pauses, particularly about a somewhat mysterious chief pause, liable to occur about the middle of a line, called a caesura.
Accent, quantity, with Iambic, Trochaic, Anapestic, and Dactylic Rhythms, are practically given in the work, which, should the student have poetic talent, would be of great use to him in making his own verses, while to the reader of poetry a knowledge of them is indispensable.
Word Of The Day