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Suddenly I seemed to see the white figures throwing purple shadows on the sun-baked palaestra; 'bands of nude youths and maidens' you remember Gautier's words 'moving across a background of deep blue as on the frieze of the Parthenon. I began to read Greek eagerly for love of it all, and the more I read the more I was enthralled: Oh what golden hours were for us As we sat together there, While the white vests of the chorus Seemed to wave up a light air; While the cothurns trod majestic Down the deep iambic lines And the rolling anapaestics Curled like vapour over shrines.
There was some question about anapaestics, concerning which I happened to remember what Foster used to tell us at Eton, that the whole line to the Basis Anapaestica was considered but as one verse, however divided in the printing, and consequently the syllables at the end of each line were not common, as in other metres. This observation was new to Johnson, and struck him.
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