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Amphitheatrical Rio! in your broad expanse might be held the Resurrection and Judgment-day of the whole world's men-of-war, represented by the flag-ships of fleets the flag-ships of the Phoenician armed galleys of Tyre and Sidon; of King Solomon's annual squadrons that sailed to Ophir; whence in after times, perhaps, sailed the Acapulco fleets of the Spaniards, with golden ingots for ballasting; the flag-ships of all the Greek and Persian craft that exchanged the war-hug at Salamis; of all the Roman and Egyptian galleys that, eagle-like, with blood-dripping prows, beaked each other at Actium; of all the Danish keels of the Vikings; of all the musquito craft of Abba Thule, king of the Pelaws, when he went to vanquish Artinsall; of all the Venetian, Genoese, and Papal fleets that came to the shock at Lepanto; of both horns of the crescent of the Spanish Armada; of the Portuguese squadron that, under the gallant Gama, chastised the Moors, and discovered the Moluccas; of all the Dutch navies red by Van Tromp, and sunk by Admiral Hawke; of the forty-seven French and Spanish sail-of-the-line that, for three months, essayed to batter down Gibraltar; of all Nelson's seventy-fours that thunder-bolted off St.
The first impression, on seeing the correspondence of the horizontal strata on each side of these valleys and great amphitheatrical depressions, is that they have been hollowed out, like other valleys, by the action of water; but when one reflects on the enormous amount of stone, which on this view must have been removed through mere gorges or chasms, one is led to ask whether these spaces may not have subsided.
To these horrors, with a rapidity characteristic of the Roman depravity, and possible only under the most extensive demoralization of the public mind, succeeded festivals of gorgeous pomp, and amphitheatrical exhibitions, upon a scale of grandeur absolutely unparalleled by all former attempts.
Not a ploughed acre was visible, no tree-top was shattered, no broken boughs hung down. The worm fence disappeared and neat white lines flashed divisions of pastures, it seemed, for miles. A great amphitheatrical red barn sat on every little hill or a great red rectangular tobacco barn. A huge dairy was building of brick.
We found the piazza, on one side of which the church stands, encumbered with the amphitheatrical ranges of wooden seats that had been erected to accommodate the spectators of the chariot-races, at the recent Feast of St. John. The front of the church is composed of black and white marble, which, in the course of the five centuries that it has been built, has turned brown and yellow.
His father not being probably a chief of the tribe, was a freeman and peer among his fellows, possessing like them a small, amphitheatrical house, the husband of but one wife, owning a war-horse, and arms, besides a few sheep and goats, and the proprietor of a garden supported by terraces on a neighboring mountain side.
On three sides the surrounding ground rose steeply, forming an irregular horseshoe mound that opened to the west. Perhaps it was the queer amphitheatrical effect of this setting that connected up some whimsical train of thought in Maynard's brain. "It would seem as if the gods had claimed you," he mused, still holding the corpse.
First came the lovely road from Frascati to Albano, ascending and descending hillsides planted with reeds, vines, and olive-trees, amongst which one obtained frequent glimpses of the Campagna's wavy immensity. On the right-hand the village of Rocca di Papa arose in amphitheatrical fashion, showing whitely on a knoll below Monte Cavo, which was crowned by lofty and ancient trees.
Also all extra seats. The church was rather fancifully frescoed. But it is an architectural gem. It is half amphitheatrical in style. It is longer than it is wide, and the choir gallery and organ are over the preacher's head. It looks underneath like an old-fashioned sounding board. But it is neat and pretty. The carpet and cushions are bright red. The windows are full of mottoes and designs.
These rings the auditorium as well as the arena were open all round, and the seats, like those of the ancient Greek theatre, were placed according to the natural formation of the ground. Burbage retained the circular amphitheatrical form; being a joiner as well as an actor and manager, he was no doubt his own architect in his new theatrical enterprise.
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