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At first a brawling torrent, its current grows more gentle as the valley widens and the rocks recede, and at last the little river flows quietly with broad windings through meadows carpeted with flowers. On these meadows, a couple of miles apart, lie the twin villages of the Ammer Valley the one world-famous, the other unheard of beyond the sound of its church-bells Ober and Unter Ammergau.

They deem, vain fools! to win fair Honour's prize: This exiled lives, and that untimely dies." Burton, however, still nursed the fallacious hope that his merits would in time be recognised, that perhaps he would be re-instated in Damascus or appointed to Ispahan or Constantinople. At Ober Ammergau, August 1880.

Let the representation of Thy bitter sufferings on the cross renew my love for Thee, strengthen my faith, and ennoble my life, and not mine only, but all who witness it." Then follows a prayer for the players. Burton found no affinity between the scenes at Ober Ammergau and those at Mecca, and he was glad to get away from "a pandemonium of noise and confusion," while Mrs.

A year after my journey to Kief I travelled through the Tyrol on my way from the Ammergau Passion Play. The whole of this district abounds in frescoes, many being on the external walls of private dwellings. This village art of the Bavarian Highlands, though often the handiwork of simple artisans, puts to shame both the external and the internal wall-paintings at Kief, Troitza, and the Kremlin.

They may watch from the Schlossgarten at Heidelberg the sun go down beyond the Rhine over Alsace, then again united to France; they may wander again in friendly talk with some forester under the pines of the Schwarzwald and listen to the singing of the familiar Volkslieder Tannenbaum or Haiden Röslein by a people who have a natural gift for song; they may in Nuremberg again look with delight on the marvels in stone wrought by its craftsmen or seek out the hidden meanings in the mystic art of Albrecht Dürer; perhaps be whirled along in the Isar "rolling rapidly" through the baths of Munich or plunge in the crystal depths of the König See; from the highlands of Bavaria they may lift up their eyes to the long ranges of the snowy Alps of Tyrol, and, as the decennial cycle comes round and the reverent peasants re-enact the sacred drama, may make their pilgrimage to Ammergau and share the thrill passing along the crowded benches when the children's voices are heard, and they enter, waving their palm branches, that those who watch their beautiful counterfeit may recall, with imagination vivid like a child's, another procession of joyous children, nineteen hundred years ago.

Burton, who was told to mind her own business by a carter with whom she remonstrated for cruelly treating a horse, discovered that even Ober Ammergau was not all holiness. Both Burton and his wife recorded their impressions in print, but though his volume appeared in 1881, hers was not published till 1900. Mrs. Burton's Advice to Novelists. 4th September 1880. The following letter from Mrs.

It was a tolerably steep climb up the road from Murnau, over Mount Ettal, to Ammergau so steep, indeed, that one stout pilgrim not many years ago, died from the exertion while walking up. Sturdy-legged mountaineer and pulpy citizen both had to clamber up side by side, for no horses could do more than drag behind them the empty vehicle.

In August the Burtons paid a visit to Ober Ammergau, which was just then attracting all eyes on account of its Passion Play. Burton's object in going was "the wish to compare, haply to trace some affinity between, this survival of the Christian 'Mystery' and the living scenes of El Islam at Mecca," while Mrs.

I had never thought of going to Ammergau, and so, when reading of these shows, I had entertained no more hope of seeing one than of assisting at an auto-da-fe or a witch-burning. I went to the box-office to buy seats. But they were all sold. The forestallers had swept the board. I was never able to determine whether I most pitied or despised these pests of the theatre.

If anything, his instincts, especially in Church matters, drew him the other way. But those who knew the man, like those who have seen the Ammergau Play, would as soon think of fastening upon that a sectarian character, as of fixing him with party names. His was a catholic mind. What distinguished him was his open-mindedness, his essential goodness, his singleness and simplicity of aim.