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After the days of Duccio and Simone Martini, of Ambrogio and Pietro Lorenzetti, were over, there remained but little for the Sienese to do in painting. Taddeo di Bartolo continued the tradition of Duccio as the later Giottesques continued that of Giotto. His most remarkable wall-painting is a fresco of the Apostles visiting the Virgin, the motive of which is marked by great originality.

He particularly accused a certain friar of having introduced a lady into his monastery in male attire, to the no small scandal of all who heard it, and the astonishment of the brotherhood. Messer Ambrogio found it impossible to silence him, and began to despair of his daughter’s cure.

Ambrogio or Ambrogino da Milano, none of whose handiwork is found in his native district, and who may therefore be supposed to have learned and practised his art elsewhere, was the sculptor of these truly genial reliefs. See, for example, the remarkable bas-relief of the Doge Lionardo Loredano engraved by Perkins, Italian Sculptors, p. 201.

Bernardo rose from his knees, made his entry, and ascended the chair; but instead of the scholastic subtleties he had designed to treat, he pronounced the old text, "Vanity of vanities, all is vanity." Afterwards, attended by two noble comrades, Patrizio Patrizzi and Ambrogio Piccolomini, he went forth into the wilderness.

There is said to be in some one of the graveyards of Orkney, a tombstone on which an angel may be seen blowing a great trumpet with all his might, while the dead man below is made to say, "When I hear this, I will rise." The stone-trumpet will be heard to blow, we daresay, about the same time that the serpent of Sant' Ambrogio will be heard to hiss.

At present not one of them had any work; they lived purely by chance. "If you like to go up," the woman added, "you'll find Tomaso there with his brother Ambrogio, whom we've taken to live with us. They'll know better than I what to say to you. Tomaso is resting; but what else can he do? It's like Tito he's dozing over there."

This, so it is said, was the reason that the people of Milan caused him to paint a panel in distemper with many figures for the Friars Minor, in their Chapel of S. Ambrogio.

He lived sixty-seven years, at the end of which he finished the course of his life after an ordinary malady, a kind of fever; and he was buried in the Church of S. Ambrogio at Florence, on the day of S. Andrew the Apostle, in 1544. The "Potenze" were merry companies composed of the men of the various quarters in costume.

To this Messer Ambrogio consented; and Matteo immediately ordered a number of masses to be said, after which he proceeded with some unmeaning ceremonies calculated to give solemnity to his task. Then approaching the young lady, he whispered in her ear: “Roderigo, it is Matteo that is come.

He was groping his way back to the chapel. It was a month before the Consistory met to nominate the new hierarchy for Marqua. It had been expected that the first meeting would end in decisive action and that, immediately afterward, the great missionary of the Community of San Ambrogio would return with increased authority and dignity to his charge.