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The three youths resolved to apply to him, to grant them an allowance out of their father's immense income. They consequently repaired to Frascati, where the pope was building the beautiful Aldobrandini Villa, and stated their case. The pope admitted the justice of their claims, and ordered Francesco, to allow each of them two thousand crowns a year.

The Aldobrandini Marriage, found on the Esquiline Mount during the pontificate of Clement VIII., and placed in the Vatican by Pius VII., is admired both for drawing and color. Polygnotus was praised by Aristotle for his designs, and by Lucian for his color. Dionysius and Mikon were the great contemporaries of Polygnotus, the former being celebrated for his portraits.

The correspondence with Buonarroto turns to a considerable extent upon a sword-hilt which Michelangelo designed for the Florentine, Pietro Aldobrandini. It was the custom then for gentlemen to carry swords and daggers with hilt and scabbard wonderfully wrought by first-rate artists. Some of these, still extant, are among the most exquisite specimens of sixteenth-century craft.

I have before me a list which I believe to be authentic, as I copied it myself in a sure quarter. It comprises the net available incomes of the principal Roman families. I extract the most important: It is not to be supposed that Grazioli, for instance, has himself alone nearly as large a gross income as Prince Borghese and his two brothers Aldobrandini and Salviati together.

On that day Prince Aldobrandini, who in his quality of first equerry of Marie Louise accompanied the Empress, was very happy to find and borrow an umbrella in order to shelter Marie Louise; but there was much dissatisfaction in the group where this borrowing was done because the umbrella was not returned.

A larger picture, belonging to the middle time of his Florentine period, is in the Munich Gallery the Madonna Canignani, which presents a peculiar study of artificial grouping, in a pyramidal shape. Among the best pictures of the latter part of this Florentine period are the S. Catherine, now in the National Gallery, formerly in the Aldobrandini Gallery at Rome, and two large altar-pieces.

On the 4th of October, the Cardinal Aldobrandini, the nephew and legate of the Pope, who had already been preceded by the Duke of Mantua and the Venetian Ambassador, arrived in his turn at Florence, in order to perform the ceremony of the royal marriage.

This influential body of faithful and patriotic citizens, who can never be sufficiently praised, organized a considerable force which kept the populace in check. This party consisted, chiefly, of the burghers of Rome. They were encouraged and headed by the higher nobles, such as the Borghese, the Rospigliosi, the Riguano, the Piombino, and the Aldobrandini.

For first equerry Marie Louise had Prince Aldobrandini, and for master of ceremonies, the Count de Seyssel d'Aix. The maid-of-honor was Madame Lannes, Duchess of Montebello, the widow of the famous marshal who was killed in Austria in the first war. Meneval tells us that Napoleon in making this appointment hesitated between this lady and the Princess of Beauvau.

Messer Luigi mio, di noi che fia Che sian restati senza il nostro sole? seems to have taken Michelangelo's fancy. Many good pens in Italy poured forth laments on this occasion. We have verses written by Giovanni Aldobrandini, Carlo Gondi, Fra Paolo del Rosso, and Anton Francesco Grazzini, called Il Lasca. Not the least touching is Luigi's own threnody, which starts upon this note: