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Naville in 1898, was erected by Queen Hatshepsu in honour of Amen-Râ, her father Thothmes I, and her brother-husband Thothmes II, and received a few additions from Thothmes III, her successor. He, however, did not complete it, and it fell into disrepair, besides suffering from the iconoclastic zeal of the heretic Akhunaten, who hammered out some of the beautifully painted scenes upon its walls.
Akhunaten shook the dust of the capital off his feet and retired to the isolated city of Akhet-aten, "the Glory of the Disk," at the modern Tell el-Amarna, where he could philosophize in peace, while his kingdom was left to take care of itself.
Now, given an ignorance of the true astronomical character of the sun, we see how eminently rational a religion this was. In effect, the sun is the source of all life upon this earth, and so Akhunaten caused its rays to be depicted each with a hand holding out the sign of life to the earth.
He and his wife Nefret-iti, who seems to have been a faithful sharer of his views, reigned over a select court of Aten-worship-ping nobles, priests, and artists. The artists had under Akhunaten an unrivalled opportunity for development, of which they had already begun to take considerable advantage before the end of his reign and the restoration of the old order of ideas.
The discovery of the tomb of Thothmes I and Hat-shepsu has already been described. In 1905 Mr. Davis made his latest find, the tomb of Iuaa and Tuaa, the father and mother of Queen Tii, the famous consort of Amenhetep III and mother of Akhunaten the heretic. Readers of Prof.
Before we turned from Egypt to summarize the information, afforded by recent discoveries, upon the history of Western Asia under the kings of the Assyrian and Neo-Babylonian periods, we noted that the Asiatic empire of Egypt was regained by the reactionary kings of the XIXth Dynasty, after its temporary loss owing to the vagaries of Akhunaten.
The reaction was strong. The kingdom had fallen into anarchy, and the foreign empire which his predecessors had built up had practically been thrown to the winds by Akhunaten. The whole is an example of the confusion and disorganization which ensue when a philosopher rules.
An interesting point with regard to it is that it had evidently been violated even in the short time between the reigns of its owner and Horem-heb, probably in the period of anarchy which prevailed at Thebes during the reign of the heretic Akhunaten; for in one of the chambers is a hieratic inscription recording the repair of the tomb in the eighth year of Horemheb by Maya, superintendent of works in the Tombs of the Kings.
The artistic monarch's graceful attitude is probably a faithful transcript of a characteristic pose. We see from this what an Egyptian artist could do when his shackles were removed, but unluckily Egypt never produced another king who was at the same time an original genius, an artist, and a thinker. When Akhunaten died, the Egyptian artists' shackles were riveted tighter than ever.
It seems undoubted that the Aten cult was a development of pure Egyptian religious thought. At first Akhunaten tried to establish his religion at Thebes alongside that of Amen and his attendant pantheon.
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