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Nevertheless it does give peace, and that kind of rationality is so paramountly demanded by men that to the end of time there will be absolutists, men who choose belief in a static eternal, rather than admit that the finite world of change and striving, even with a God as one of the strivers, is itself eternal.
Formerly the absolutists adhered to the principle of "legitimacy," or, the Divine right of an hereditary dynasty; and provided this false principle was respected, they did not object to the development of constitutions which preserved attachment to monarchies. But now they have thrown away their own principle of dynastical legitimacy, and have no rule but to oppress freedom everywhere.
If, along with the notion of the standard, they could also claim its exclusive warrant for their own fulminations now, it would be important to them indeed. But absolutists like Rickert freely admit the sterility of the notion, even in their own hands.
In one respect it will be allowed by all but absolutists that the condition of Europe has changed greatly for the better in the last eleven years, as a consequence of the triumphs of the French Emperor. From the year 1815 to 1850, national independence was in its true sense unknown to Continental Europe.
Placed in his seat by the Liberals as his predecessor had been by the Absolutists, he thought it best to die in order to take no part in these attempts against the sacred revenues of the Church. The Señor Luna, who was only a humble gardener, and who therefore could not imitate the illustrious Cardinal, went on living.
The regency wished the new king to make a speedy choice between the two crowns; and it was anticipated that he would abdicate the Portuguese crown in favour of his seven-year-old daughter, Maria da Gloria. The absolutists on the other hand hoped that the king might by procrastination avoid the separation of the crowns.
If the each-form be the eternal form of reality no less than it is the form of temporal appearance, we still have a coherent world, and not an incarnate incoherence, as is charged by so many absolutists.
Too often the results, glowing with 'truth' for the inventors, seem pathetically personal and artificial to bystanders. Which is as much as to say that the purely theoretic criterion of truth can leave us in the lurch as easily as any other criterion, and that the absolutists, for all their pretensions, are 'in the same boat' concretely with those whom they attack.
The tale which the absolute reader finds so perfect, we spoil for one another through our several vital identifications with the destinies of the particular personages involved. The doctrine on which the absolutists lay most stress is the absolute's 'timeless' character.
Even when he turned his back on the absolutists and wrote programmatic music, romantic suites that begin with Debussy-like low flutes and end with trumpet blasts that recall the sunrise music of "Also Sprach Zarathustra," ballet suites that seek to rival the "Carnaval" of Schumann and the waltzes in "Der Rosenkavalier," "Böcklin" suites that pretend to translate into tone some of the Swiss painter's canvases, he only intensified the general ill-will.
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