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When Volterra was recovered, and Niccolo returned to his quarters at Fucecchio, he, either at the persuasion of Rinaldo, or of his own accord, in November, 1429, took possession of Ruoti and Compito, castles belonging to the Lucchese, with three hundred cavalry and as many infantry, and then descending into the plain, plundered the inhabitants to a vast amount.

It was the evening of the 23rd of February, 1429, that the little band rode away into the open country on their perilous journey. Joan, besides adopting a military attire, had trimmed her dark hair close, as it was then the fashion of knights to do cut round above the ears. Even this harmless act was later brought as an accusation against her.

After Paolo had departed, or rather, had been driven out of Lucca in the year 1429, when the city became free, this sarcophagus was removed from that place and was almost wholly destroyed, by reason of the hatred that the people of Lucca bore to the memory of Guinigi; but the reverence that they bore to the beauty of the figure and of the so many ornaments restrained them, and brought it about that a little time afterwards the sarcophagus and the figure were placed with diligence near the door of the sacristy, where they are at present, while the Chapel of Guinigi was taken over by the Commune.

The Maid took part in the capture of Laon, Soissons, Compiègne, and other places, and, in the attack on Paris, September, 1429, which she prematurely urged, was severely wounded.

How our Brothers and other Religious were driven from the land by reason of the Interdict. In the year of the Lord 1429, the strife between them that followed Sueder and them that clave to Rodolph who had been chosen to be Bishop still continued, and heavy threats were made against the Regulars in that they obeyed the letter of the Apostolic See and the commandments of Sueder, Bishop of Utrecht.

III. Expressions indicating forgery. IV. Efforts to obtain a very old copy of Tacitus. V. The forgery transcribed in the Abbey of Fulda. VI. First saw the light in the spring of 1429.

"God forbid that I should do so," wrote Guy de Laval, on the 8th of June, 1429, to those most dread dames, his grandmother and his mother; "my brother says, as also my lord the Duke d'Alencon, that a good riddance of bad rubbish would he be who should stay at home." And he describes his first interview with the Maid as follows: "The king had sent for her to come and meet him at Selles-en-Berry.

"On the 4th day of April, 1429," says the journal, "the duke of Burgundy came to Paris, with a very fine body of knights and esquires; and eight days afterwards there came to Paris, a cordelier, by name Frere Richart, a man of great prudence, very knowing in prayer, a giver of good doctrine to edify his neighbour, and was so successful, that he who had not seen him, was bursting with envy against those who had.

Some one has said that he seemed to hold Giotto by one hand, and reach forward to Raphael with the other; and considering the pictures which were painted before his time, his works are as wonderful as Raphael's are beautiful. He died in 1429. ANDREA VERROCCHIO, LORENZO DI CREDI, and ANTONIO POLLAJUOLO were all good painters of the Florentine school of the last half of the fifteenth century.

Ever since the fourteenth century the Rue St. Honore has been one of the busiest streets in Paris. It was the gate leading into this street which was attacked by Jeanne d'Arc in 1429. It was the fact that the Cardinal de Bourbon and the Due de Guise had been seen walking together at the Porte St.